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The Sibelius Edition Volume 12 - Symphonies

Lahti Symphony Orchestra, Osmo Vänskä

Taken together, this is a comprehensively original cycle, revealing without being controversial, direct in utterance yet precisely calculated. It is certainly, in my view, the finest survey...

The Sibelius Edition Volume 12 - Symphonies

Lahti Symphony Orchestra, Osmo Vänskä

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5 CDs

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Taken together, this is a comprehensively original cycle, revealing without being controversial, direct in utterance yet precisely calculated. It is certainly, in my view, the finest survey...

About

June sees the release of the penultimate instalment of BIS’ Sibelius Edition, and here we return to a genre for which he is particularly celebrated, namely the symphonic.

The Seven Symphonies are undisputed treasures of 20th-century music which have fascinated great conductors and international audiences alike. They are here presented in performances by Osmo Vänskä, described in American Record Guide as ‘the Sibelius interpreter de nos jours’, and the eminent Lahti Symphony Orchestra, for whom he was principal conductor for 20 years.

The full symphonies are complemented by alternative versions and fragments which provide a fascinating background to the final versions. The most substantial of these is the original version of Symphony No.5, available only in this recording, which upon its original release in 1996 received a Gramophone Award for its technical qualities and was described as ‘one of the most important and above all interesting records to have appeared for many years’ by the same reviewer.

Also unique to this edition are the recordings of the remaining supplementary material, made under the supervision of the violinist and conductor Jaakko Kuusisto and released here for the first time.

Sibelius expert Andrew Barnett also guides us through this central chapter in Sibelius’ œuvre – an edition not to be missed !

Contents and tracklist

I. Andante, ma non troppo - Allegro energico
Track length9:50
II. Andante (ma non troppo lento)
Track length8:58
III. Scherzo. Allegro
Track length4:31
IV. Finale (Quasi una Fantasia): Andante - Allegro molto
Track length12:09
I. Allegretto
Track length9:24
II. Tempo Andante, ma rubato
Track length14:30
III. Vivacissimo
Track length5:58
IV. Finale. Allegro moderato
Track length15:17
I. Allegro moderato
Track length10:24
II. Andantino con moto, quasi allegretto
Track length11:18
III. Moderato - Allegro (ma non tanto)
Track length9:22
I. Tempo molto moderato, quasi adagio
Track length11:40
II. Allegro molto vivace
Track length4:38
III. Il tempo largo
Track length14:06
IV. Allegro
Track length9:41
I. Tempo tranquillo assai -
Track length8:27
II. Allegro commodo
Track length5:20
III. Andante mosso
Track length7:45
IV. Allegro commodo - Largamente molto
Track length14:09
I. Tempo molto moderato - Allegro moderato
Track length13:29
II. Andante mosso, quasi allegretto
Track length8:47
III. Allegro molto - Largamente assai
Track length9:38
I. Allegro molto moderato
Track length8:37
II. Allegretto moderato
Track length6:31
III. Poco vivace
Track length3:24
IV. Allegro molto
Track length8:43
I. Andante - Allegro: Bars 1-40
Track length2:02
II. Andante [ma non troppo lento]: Bars 1-56
Track length2:34
III. Scherzo
Track length6:11
IV. Finale [Quasi una Fantasia]: 35 bars starting at W
Track length2:14
IV. Finale [Quasi una Fantasia]: Final 54 bars [from 2 before U]
Track length3:30
I. Allegretto moderato: Bars 1-54
Track length1:52
II. Molto largamente - Andante sostenuto: 62 bars starting at D
Track length5:04
I. Bars 1-32
Track length1:13
I. Bars 1-44
Track length1:36
II. Andantino con moto
Track length9:58
II. Allegro molto vivace - Doppio più lento
Track length4:31
IV. Finale. Bars 1-59
Track length1:13
First alternative ending, starting at y
Track length3:45
Second alternative ending, starting at y
Track length3:55

Awards and reviews

October 2011

Taken together, this is a comprehensively original cycle, revealing without being controversial, direct in utterance yet precisely calculated. It is certainly, in my view, the finest survey of the past three decades...Splendid sound makes this indispensable for all devotees of Sibelius.

9th July 2011

Vänskä’s accounts of the published symphonies are regarded by many as definitive. He’s at his best in Sibelius’s sparer, sparser moments – the Fourth and Sixth are sleek and otherworldly, and the leaner Lahti sound makes the First and Second sound more radical and forward-looking. Nice artwork and informative notes too.
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