Strauss, R: Der Rosenkavalier
Lisa Della Casa (Die Feldmarschallin), Otto Edlmann (Ochs), Rise Stevens (Octavian), Ralph Herbert (Faninal), Hilde Güden (Sophie) & Thomas Hayward (Italian tenor)
Orchestra & Chorus of the Metropolitan Opera, New York, Rudolf Kempe
it really is a crack orchestra, and certainly the skill and alertness of its players are strikingly in evidence here...[Hilde Güden's Sophie] lands the high notes with consummate ease and sounds...
Strauss, R: Der Rosenkavalier
Lisa Della Casa (Die Feldmarschallin), Otto Edlmann (Ochs), Rise Stevens (Octavian), Ralph Herbert (Faninal), Hilde Güden (Sophie) & Thomas Hayward (Italian tenor)
Orchestra & Chorus of the Metropolitan Opera, New York, Rudolf Kempe
Purchase product
We pay more royalties to artists and composers than any other streaming service with our innovative Fair Play pay-per-second model
We pay artists and composers fairly with our pay-per-second model
it really is a crack orchestra, and certainly the skill and alertness of its players are strikingly in evidence here...[Hilde Güden's Sophie] lands the high notes with consummate ease and sounds...
About
Contents and tracklist
- Risë Stevens, Lisa della Casa, James McCracken, Otto Edelmann, Charles Anthony, Alessio De Paolis, Shakeh Vartenissian, Sandra Warfield, Emilia Cundari, Thomas Hayward, Lawrence Davidson, Martha Lipton
- Metropolitan Opera, Metropolitan Opera Chorus
- Rudolf Kempe
- Ralph Herbert, Hilde Gueden, Thelma Votipka, Charles Anthony, James McCracken, Risë Stevens, Otto Edelmann, Alessio De Paolis, Martha Lipton
- Metropolitan Opera, Metropolitan Opera Chorus
- Rudolf Kempe
- Otto Edelmann, Paul Franke, Risë Stevens, Ralph Herbert, Alessio De Paolis, Martha Lipton, Lisa della Casa, Hilde Gueden
- Metropolitan Opera, Metropolitan Opera Chorus
- Rudolf Kempe
- Risë Stevens, Hilde Gueden, Otto Edelmann, Lisa della Casa, Ralph Herbert
- Metropolitan Opera
- Rudolf Kempe
Awards and reviews
December 2010
it really is a crack orchestra, and certainly the skill and alertness of its players are strikingly in evidence here...[Hilde Güden's Sophie] lands the high notes with consummate ease and sounds genuinely delighted with the presentation of the rose...[Risë Stevens's] characterisation is vivid and generous, especially in Act 2.
