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Bach, J S: Mass in B minor, BWV232

Dorothee Mields, Johannette Zomer (sopranos), Patrick van Goethem (alto), Jan Kobow (tenor) & Peter Kooij (bass)

Cappella Amsterdam & Orchestra of the 18th Century, Frans Brüggen (direction)

The 'Gloria' dances, 'Cum Sancto Spiritu' is equally lithe and the semiquavers in 'Et resurrexit' are fluent and exact...The Orchestra of the Age of Enlightenment is superb: its many virtues...

Bach, J S: Mass in B minor, BWV232

Dorothee Mields, Johannette Zomer (sopranos), Patrick van Goethem (alto), Jan Kobow (tenor) & Peter Kooij (bass)

Cappella Amsterdam & Orchestra of the 18th Century, Frans Brüggen (direction)

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This release includes a digital booklet

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The 'Gloria' dances, 'Cum Sancto Spiritu' is equally lithe and the semiquavers in 'Et resurrexit' are fluent and exact...The Orchestra of the Age of Enlightenment is superb: its many virtues...

About

20 years after the Orchestra of the 18th Century’s first engagement on tour with Bach’s Mass in B minor, a work which has for so long captivated the inquiring mind and interpretative insight of Frans Brüggen, a new tour was conceived through which to provide a fresh view of the piece. Setting down a recorded view during tours has always been key to this orchestra’s musical expression and last year the opportunity was taken at an exciting concert in the Polish capital of Warsaw: a city and a country with whom director and orchestra have long and treasured memories. Accompanying the CD set is a booklet essay from David Vickers which provides a scholarly and eminently-readable account of the social as well as the musical background to the composition of the individual parts of a piece whose unity has provided the world with one of its greatest works of musical art. This new recording is more than a 20th anniversary celebration, reflecting as it does Frans Brüggen’s lifelong desire to understand and project the work of J.S. Bach.

Contents and tracklist

Kyrie eleison (Chorus)
Track length9:29
Duet: Christe eleison (Soprano 1, Soprano 2)
Track length5:11
Kyrie eleison (Chorus)
Track length3:53
Gloria in excelsis Deo (Chorus)
Track length1:44
Et in terra pax (Chorus)
Track length4:57
Aria: Laudamus te (Soprano 2)
Track length4:15
Gratias agimus tibi (Chorus)
Track length3:17
Domine Deus (Soprano 1, Tenor)
Track length6:05
Qui tollis peccata mundi (Chorus)
Track length3:00
Aria: Qui sedes ad dextram Patris (Alto)
Track length4:25
Aria: Quoniam tu solus Sanctus (Bass)
Track length4:23
Cum Sancto Spiritu (Chorus)
Track length4:05
Credo in unum Deum (Chorus)
Track length1:51
Credo in unum Deum, Patrem omnipotentem (Chorus)
Track length1:47
Duet: Et in unum Dominum (Soprano 1, Alto)
Track length4:16
Et incarnatus est (Chorus)
Track length3:02
Crucifixus (Chorus)
Track length3:07
Et resurrexit (Chorus)
Track length3:55
Aria: Et in Spiritum Sanctum Dominum (Bass)
Track length5:02
Confiteor unum baptisma (Chorus)
Track length3:57
Et expecto resurrectionem mortuorum (Chorus)
Track length2:15
Sanctus (Chorus)
Track length4:43
Osanna in excerlsis (Chorus)
Track length2:32
Aria: Benedictus (Tenor)
Track length4:09
Osanna in excerlsis (Chorus da capo)
Track length2:31
Aria: Agnus Dei (Alto)
Track length5:13
Dona nobis pacem (Chorus)
Track length3:02

Awards and reviews

July 2010

The 'Gloria' dances, 'Cum Sancto Spiritu' is equally lithe and the semiquavers in 'Et resurrexit' are fluent and exact...The Orchestra of the Age of Enlightenment is superb: its many virtues include precise articulation from the strings and some knockout trumpet playing.

6th June 2010

The performance...carried me away from the first — the sweet sound of the baroque oboes, the strength and eloquence of the choir...There is nothing minimalist about Brüggen’s approach. The work is paced with a convincing naturalness; the trumpets are exhilarating and the soloists are all excellent.

9th May 2010

Soprano soloists Dorothee Mields and Johannette Zomer deliver exquisitely detailed duets, while the orchestral performance is beyond reproach, most particularly the cellos and basses. From the first Credo onwards, the choral performance is revitalised, with a sparkling reading of the Et resurrexit and a glorious Sanctus.

Early Music Today June/August 2010

Please don’t even consider hesitating, not even for an iota of a scintilla of a fraction of a millisecond, to question the financial wisdom of acquiring another recording of the B minor Mass. Just go and buy this one.
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