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Special offer. Geoffrey Burgon - Viola Concerto & Cello Concerto

Philip Dukes (viola), Josephine Knight (cello), Sarah Connolly (mezzo-soprano)

City of London Sinfonia, Rumon Gamba

Geoffrey Burgon - Viola Concerto & Cello Concerto
[The Viola Concerto] is expertly written, and must be gratifying to play: Philip Dukes appears to enjoy himself, and never puts a foot wrong.

Special offer. Geoffrey Burgon - Viola Concerto & Cello Concerto

Philip Dukes (viola), Josephine Knight (cello), Sarah Connolly (mezzo-soprano)

City of London Sinfonia, Rumon Gamba

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[The Viola Concerto] is expertly written, and must be gratifying to play: Philip Dukes appears to enjoy himself, and never puts a foot wrong.

About

Chandos releases premiere recordings of Geoffrey Burgon’s viola and cello concertos, alongside the song cycle Merciless Beauty, all performed by the City of London Sinfonia under Rumon Gamba.

For a generation and more of television watchers and filmgoers with even a passing interest in music, the name of the British composer Geoffrey Burgon is associated with a string of successful soundtrack scores: Tinker, Tailor, Soldier, Spy, The Chronicles of Narnia and many others. His masterful score for Brideshead Revisited, described as ‘the greatest score ever written for television’, earned him an Ivor Novello Award. However, ‘concert music’ has always been the main thrust of his work which, whilst being sophisticated in structure, speaks powerfully and directly to audiences and musicians alike. Burgon’s love of the voice has led him to write probably more song-cycles than any other living composer and these successes have tended to overshadow his smaller output of purely orchestral music. This new album helps to rectify that imbalance with two premiere recordings.

Burgon has written successful choral and vocal works throughout his career, which have tended to overshadow his smaller output of purely orchestral music. This new album helps to rectify the imbalance. Merciless Beauty, originally for counter-tenor, is here, at the invitation of the composer, sung by the mezzo-soprano Sarah Connolly. The Viola Concerto Ghosts of the Dance was commissioned by Philip Dukes, who here performs the solo part. Burgon writes: ‘Whilst writing it I felt the music being pulled in the direction of thirties American dance music. Then I got a strong image of a dance hall in a small American town, where a dance endurance competition was taking place. These were a feature of the depression era in the US.’ The album is completed by the Cello Concerto, inspired by Alexander Kok, the last surviving founder member of the Philharmonia Orchestra, and completed with advice concerning the solo part from Josephine Knight who here gives the work its premiere performance.

Contents and tracklist

I. First Dance. Moderato
Track length5:16
II. Second Dance. Lento, quasi tango
Track length8:04
III. Third Dance. Vivo - Più mosso
Track length7:12
I. Western Wind
Track length1:30
II. Letter to Anna, pregnant
Track length4:26
III. The Sick Rose
Track length1:57
IV. Tune for an Ice Cream Van
Track length2:54
V. Merciless Beauty
Track length3:09
VI. Iron Cith Love Song
Track length2:25
VII. Campionesque for Anna
Track length3:46
I. Con moto - Più mosso
Track length5:29
II. Lento e calmo - Più mosso
Track length7:31
III. Vivo - Meno mosso
Track length8:59

Awards and reviews

September 2010

[The Viola Concerto] is expertly written, and must be gratifying to play: Philip Dukes appears to enjoy himself, and never puts a foot wrong.

July 2010

Burgon's tightly focused style generates some truly arresting moments...A film sensibility may lie at the core of Burgon's musical personality but there is much here in terms of expressive weight and musical content to ensure that his music stands firm without the need for visual support.

July/August 2010

The superb Philip Dukes is the dedicatee and soloist in Ghosts of the Dance...a colourful and exhilarating listening experience...The City of London Sinfonia under Rumon Gamba seems to relish this music, as it should.

9th May 2010

Geoffrey Burgon's slinky, jazz-inflected viola concerto "Ghosts of the Dance" conveys colour, character and narrative in economical writing...Philip Dukes and Josephine Knight favour an almost vocal style of harrowed lyricism, while Sarah Connolly claims the 1997 song cycle written for James Bowman as her own. Merciless beauty, indeed.
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