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O praise the Lord

Restoration Music from Westminster Abbey

Robert Quinney (organ), Julian Stocker (tenor) & Robert Macdonald (bass)

Westminster Abbey Choir, James O'Donnell

O praise the Lord
Throughout every work O'Donnell's direction is alive to the sophisticated vocal layering, and ever attentive to the meaning of the words - an innate musicality echoed in Robert Quinney's 'voluntary...

O praise the Lord

Restoration Music from Westminster Abbey

Robert Quinney (organ), Julian Stocker (tenor) & Robert Macdonald (bass)

Westminster Abbey Choir, James O'Donnell

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Throughout every work O'Donnell's direction is alive to the sophisticated vocal layering, and ever attentive to the meaning of the words - an innate musicality echoed in Robert Quinney's 'voluntary...

About

The Choir of Westminster Abbey under their inspirational director James O’Donnell delve into the Abbey’s vaults for this latest fascinating disc.

The triumphant mood of the Restoration required much glorious liturgical music, and the Abbey was home to some of the greatest composers and performers of the age. This recording presents music likely to have been sung by—and in some cases, almost certain to have been written for—the Choir of Westminster Abbey during the late 1670s and early 1680s. They sing four canticles from the compendious Service in B flat by Henry Purcell, together with psalmody in reconstructed contemporary style, and anthems and motets by Purcell and his contemporary John Blow, who famously both preceded and succeeded Purcell as Organist of the Abbey.

Contents and tracklist

Morning Canticle 3. Benedicite
Track length7:30
Morning Canticle 2. Benedictus
Track length4:25
Evening Canticle 1. Magnificat
Track length3:53
Evening Canticle 2. Nunc dimittis
Track length1:57

Awards and reviews

June 2010

Throughout every work O'Donnell's direction is alive to the sophisticated vocal layering, and ever attentive to the meaning of the words - an innate musicality echoed in Robert Quinney's 'voluntary contributions', despatched with nimble virtuosity and a beguiling shapeliness.

July 2010

Overall, it's a surprisingly varied programme...The organ voluntaries add spice to the mix, bearing as some of them do the stamp of Italianate influence.

Clear and uncluttered sound, the antiphonal effects nicely caught in a faultless Hyperion recording

9th April 2010

The Abbey choir, under James O’Donnell, conveys the thrill of Purcell’s music and the whole disc is marked by crucial attention to the articulation of words and to the careful balancing of choral sonorities.
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