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Bach - Motets

Yukari Nonoshita & Aki Matsui (soprano), Damien Guillon (counter-tenor), Satoshi Mizukoshi (tenor) & Dominik Wörner (bass)

Bach Collegium Japan, Masaaki Suzuki

Bach - Motets

Awards:

The performance is, as you'd now expect from [Suzuki's] Collegium, excellent. Voices range from delicate soloists to a splendidly light and transparent 18-strong chorus. Instrumental support...

Bach - Motets

Yukari Nonoshita & Aki Matsui (soprano), Damien Guillon (counter-tenor), Satoshi Mizukoshi (tenor) & Dominik Wörner (bass)

Bach Collegium Japan, Masaaki Suzuki

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$18.25

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Stream now Hi-RES 44.1 kHz, 24 bit

Awards:

The performance is, as you'd now expect from [Suzuki's] Collegium, excellent. Voices range from delicate soloists to a splendidly light and transparent 18-strong chorus. Instrumental support...

About

In view of the fact that several of the works are composed for double choir, the usual 16-member choir from the cantata recordings have been slightly expanded to 18 singers, of which some also appear as soloists. Included on the disc are the six motets BWV 225-231, as well as BWV 118 O Jesu Christ, mein’s Lebens Licht and BWV Anh. 159 Ich lasse dich nicht.

Contents and tracklist

Wie sich ein Vater erbarmet - Gott, nimm dich ferner unser an (Live)
Track length4:01
Lobet den Herrn in seinen Taten (Live)
Track length3:37
Komm, Jesu, komm
Track length7:00
Drum schliess ich mich in deine Hande
Track length1:25
Es ist nun nichts Verdammliches an denen
Track length2:29
Unter deinen Schirmen
Track length1:02
Denn das Gesetz des Geistes
Track length0:56
Trotz dem alten Drachen
Track length2:10
Ihr aber seid nicht fleischlich
Track length3:17
Weg mit allen Schatzen
Track length0:57
So aber Christus in euch ist
Track length1:51
Gute Nacht, o Wesen
Track length3:37
So nun der Geist
Track length1:16
Weicht, ihr Trauergeister
Track length1:17
Furchte dich nicht, ich bin bei dir, BWV 228
Track length7:27
Der aber die Herzen forschet
Track length2:11
Du heilige Brunst, susser Trost
Track length1:31

Spotlight on this release

Awards and reviews

June 2010

The performance is, as you'd now expect from [Suzuki's] Collegium, excellent. Voices range from delicate soloists to a splendidly light and transparent 18-strong chorus. Instrumental support is discreet but colourful...The recording makes its distinctive mark among many competitors.

July 2010

The performances are splendid. After its solemn beginning, 'Komm, Jesu, komm' is light, almost flirtatious in places...In 'Jesu, meine Freude', Suzuki finds a perfect balance between drama and lyricism, and 'Singet dem Herrn' is full of rhythmic vitality. Recommended with all possibile enthusiasm.

2011

This is one of [Harnoncourt's] best CDs and, beautifully recorded, it is still worth exploring...The familiar motets are memorable too, the opening Singet dem Herrn particularly fresh, and Jesu, meine Freude strikingly beautiful.

The six large-scale motets BWV225-230 are among the finest choral compositions of the Baroque era, and show Bach's vocal writing at its most colourful and varied. In this recording Masaaki Suzuki leads a slightly expanded Bach Collegium Japan, encompassing a huge range of expressive shades from solemnity in Jesu, meine Freude to light-heartedness at some points in Komm, Jesu, komm.
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