William Kapell In Performance

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Release Date: 1st Dec 2008
Catalogue No: MACD0990
Label: Music & Arts
Length: 72 minutes

Brahms: Piano Concerto No. 1 in D minor, Op. 15

Work length47:17

Album only

William Kapell (piano)
Philharmonic Symphony Orchestra
Dimitri Mitropoulos
Recorded: 12 April 1953
Recording Venue: New York

I. Maestoso

Track length21:01

Album only

II. Adagio

Track length14:52

$3.00

$3.85

III. Rondo: Allegro non troppo

Track length11:24

$3.00

$3.85

Prokofiev: Piano Concerto No. 3 in C major, Op. 26

Work length24:54

$6.00

$7.80

William Kapell (piano)
Philharmonic Symphony Orchestra
Dimitri Mitropoulos, Leopold Stokowski
Recorded: 5 March 1949
Recording Venue: New York

I. Andante - Allegro

Track length8:12

$2.00

$2.60

II. Tema con variazioni

Track length8:05

$2.00

$2.60

III. Allegro ma non troppo

Track length8:37

$2.00

$2.60

About
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About

More than a half-century has passed since the American pianist William Kapell (1922- 1953) died after an all too brief career, in a freak plane crash on California's King's Mountain, only a few minutes before he was to touch down in San Francisco. His memory is still cherished and interest in his artistry was recently revived by the release of a number of amateur off-the-air recordings of performances from his Australian tour. By popular demand Music & Arts is re-issuing this 1997 album, of which Tim Page, Kapell's biographer, wrote: "[The Prokofiev Third] is probably the finest performance of the concerto that Kapell left us and it is much preferable, in its spontaneity and poetic fury, to the curiously tame RCA Victor recording he had made a month earlier with Antal Dorati and the Dallas Symphony... The Brahms concerto is the last major work with orchestra that Kapell played in New York, slightly more than six months before he died. Here again, we have the Philharmonic (this time under Dmitri Mitropoulos on April 12, 1953) recorded in the luscious acoustics of the old Carnegie Hall. While there is still a good deal of brilliance in the playing - listen to the ferocity with which Kapell attacks passages of exposed octaves - there is also a welcome poise and serenity in softer passages and an abiding sense of formal structure throughout."

William Kapell In Performance

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