Puccini: Tosca
Maria Callas (Tosca), Giuseppe Di Stefano (Cavaradossi), Tito Gobbi (Scarpia), Franco Calabrese (Angelotti), Angelo Mercuriali (Spoletta), Melchiorre Luise (Sagristano), Dario Caselli (Carceriere), Alvaro Cordova (Pastor)
Orchestra e Chorus del Teatro alla Scala, Milano, Victor de Sabata
in 1953 [Callas] is caught at her peak, her voice perfectly under control and the characteristic insights she brought to its tiniest details fully developed...[de Sabata's] combination of fire...
Puccini: Tosca
Maria Callas (Tosca), Giuseppe Di Stefano (Cavaradossi), Tito Gobbi (Scarpia), Franco Calabrese (Angelotti), Angelo Mercuriali (Spoletta), Melchiorre Luise (Sagristano), Dario Caselli (Carceriere), Alvaro Cordova (Pastor)
Orchestra e Chorus del Teatro alla Scala, Milano, Victor de Sabata
Purchase product
in 1953 [Callas] is caught at her peak, her voice perfectly under control and the characteristic insights she brought to its tiniest details fully developed...[de Sabata's] combination of fire...
About
The brand new series celebrates EMI - The Home of Opera with de Sabata's legendary recording of Tosca with Maria Callas and Giuseppe di Stefano. Includes complete libretto and synopsis on a bonus CD ROM.
Contents and tracklist
- Franco Calabrese (bass), Melchiorre Luise (bass), Giuseppe di Stefano (tenor), Maria Callas (soprano), Vittore Veneziani (director), Angelo Mercuriali (tenor), Tito Gobbi (baritone), Dario Caselli (bass), Alvaro Cordova (boy soprano)
- Teatro alla Scala
- Victor de Sabata
- Recorded: 1953-08-21
- Recording Venue: 10-21 August 1953 / Teatro all Scala, Milano
Awards and reviews
January 2012
in 1953 [Callas] is caught at her peak, her voice perfectly under control and the characteristic insights she brought to its tiniest details fully developed...[de Sabata's] combination of fire and clarity make this the most exciting Tosca on disc...Opera sets rarely get absolutely everything right; this one does.
2010 edition
There has never been a finer recorded performance of Tosca...Gobbi makes the unbelievably villainous police chief into a genuine three-dimensional character, and Di Stefano...was at his finest...The conducting of De Sabata is spaciously lyrical as well as sharply dramatic...it brings a transfer which, taken from the original tapes, has the voices brighter and more immediate than on the Naxos set.