Special offer. Helena Tulve - Lijnen
Arianna Savall (voice) & Emmanuelle Ophèle-Gaubert, Mihkel Peaske (flutes)
Silesian String Quartet, NYYD Ensemble & Stockholm Saxophone Quartet, Olari Elts
It's not music that goes out of its way to be ingratiating, but as this highly impressive collection shows, behind this take-it-or-leave-it facade lurks music of real personality and expressive...
Special offer. Helena Tulve - Lijnen
Arianna Savall (voice) & Emmanuelle Ophèle-Gaubert, Mihkel Peaske (flutes)
Silesian String Quartet, NYYD Ensemble & Stockholm Saxophone Quartet, Olari Elts
Purchase product
It's not music that goes out of its way to be ingratiating, but as this highly impressive collection shows, behind this take-it-or-leave-it facade lurks music of real personality and expressive...
About
The first ECM disc from the only composition pupil to date of Erkki-Sven Tüür, gifted young Estonian Helena Tulve, whose work speaks in its own unique language through a variety of chamber music settings and with a fluid approach to form, sound and sonority. It includes four premiere recordings amongst her six played by the celebrated NYYD Ensemble under outstanding conductor Olari Elts, the Stockholm Saxophone Quartet and the Silesian String Quartet.
Contents and tracklist
- NYYD Ensemble
- Olari Elts
- Recorded: 2008
- Recording Venue: Estonia Concert Hall, Tallinn
- Arianna Savall (vocalist)
- NYYD Ensemble
- Olari Elts
- Recorded: 2008
- Recording Venue: Church of the Transfiguration of our Lord, Tallinn
- Stockholm Saxophone Quartet
- Recorded: 2008
- Recording Venue: Estonia Concert Hall, Tallinn
- Emmanuelle Ophèle-Gaubert (flute), Mihkel Peäske (flute)
- NYYD Ensemble
- Olari Elts
- Recorded: 2008
- Recording Venue: Estonia Concert Hall, Tallinn
- NYYD Ensemble
- Olari Elts
- Recorded: 2008
- Recording Venue: Estonia Concert Hall, Tallinn
- Silesian Quartet
- Recorded: 2008
- Recording Venue: House of the Brotherhood of the Blackheads, Tallinn
Awards and reviews
27th June 2008
It's not music that goes out of its way to be ingratiating, but as this highly impressive collection shows, behind this take-it-or-leave-it facade lurks music of real personality and expressive depth, whether in Lijnen, the 2003 cycle of settings of poems by Roland Jooris, or the rebarbative saxophone quartet Öö.
