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Special offer. Beethoven - The Piano Sonatas (Volume 6)

Live recording from Zurich’s Town Hall, produced by Manfred Eicher

András Schiff (piano)

Three of these middle-period works are short, but what riches they deliver, and all abundantly and robustly realised by Schiff.

Special offer. Beethoven - The Piano Sonatas (Volume 6)

Live recording from Zurich’s Town Hall, produced by Manfred Eicher

András Schiff (piano)

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($11.25) Reduced price $7.50

320 kbps, MP3

$7.50

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
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Three of these middle-period works are short, but what riches they deliver, and all abundantly and robustly realised by Schiff.

About

Volume VI of András Schiff’s much acclaimed live Beethoven cycle in chronological order offers five masterworks from the so-called “middle period” ie the first decade of the 19th century, when among other groundbreaking compositions, the “Eroica” Symphony was written. The CD features two of his most popular sonatas, those named ‘Appassionata’ (No 23 in F minor) and ‘Les Adieux’ (No 26 in E flat) as well as the neglected Op 54 Sonata, and Opp. 78 and 79. Like all Schiff’s Beethoven recitals, some sonatas were played on a Bösendorfer, others on a Steinway.

Contents and tracklist

I. In tempo d'un menuetto
Track length5:48
II. Allegretto – Più allegro
Track length7:07
I. Allegro assai
Track length10:28
II. Andante con moto
Track length6:38
III. Allegro ma non troppo
Track length8:51
I. Adagio cantabile – Allegro ma non troppo
Track length7:35
II. Allegro vivace
Track length3:08
I. Presto alla tedesca
Track length4:57
II. Andante
Track length2:49
III. Vivace
Track length2:03
I. Das Lebewohl. Adagio – Allegro
Track length7:19
II. Abwesenheit. Andante espressivo –
Track length3:24
III. Das Wiedersehen. Vivacissimamente
Track length6:08

Awards and reviews

Proms 2008

Three of these middle-period works are short, but what riches they deliver, and all abundantly and robustly realised by Schiff.

September 2008

It's rare to hear Les adieux's blazing finale so polyphonically informed, yet without sacrificing sweep and energy… Schiff slowly unfolds Op 54's Allegretto, eschewing nimble virtuosity while emphasising inner voices and off-beat accents, and finally lets loose in time for the coda.
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