US TARIFFS UPDATE | August 2025 | No impact expected on your Presto orders | Read full details
Wagner: Der Ring des Nibelungen
Das Rheingold Hans Hotter (Wotan), Gustav Neidlinger (Alberich), Georgine von Milinkovič (Fricka), Rudolf Lustig (Loge), Paul Kuen (Mime), Ludwig Weber (Fasolt), Josef Greindl (Fafner), Josef Traxel (Froh), Hertha Wilfert (Freia), Jutta Vulpius (Woglinde), Elisabeth Schärtel (Wellgunde),...
Awards:
-
Presto Recording of the Week, 1st February 2010
-
Building a Library, January 2008, First Choice
-
Presto Favourites, Recommended Recording
[Keilberth] is urgent and passionate, and the thrust of the performance makes the result intensely exciting, inspiring the great Wagnerian singers in the cast to give of their finest...here...
Wagner: Der Ring des Nibelungen
Das Rheingold Hans Hotter (Wotan), Gustav Neidlinger (Alberich), Georgine von Milinkovič (Fricka), Rudolf Lustig (Loge), Paul Kuen (Mime), Ludwig Weber (Fasolt), Josef Greindl (Fafner), Josef Traxel (Froh), Hertha Wilfert (Freia), Jutta Vulpius (Woglinde), Elisabeth Schärtel (Wellgunde),...
Purchase product
Awards:
-
Presto Recording of the Week, 1st February 2010
-
Building a Library, January 2008, First Choice
-
Presto Favourites, Recommended Recording
[Keilberth] is urgent and passionate, and the thrust of the performance makes the result intensely exciting, inspiring the great Wagnerian singers in the cast to give of their finest...here...
About
Testament has released the first-ever stereo recording of The Ring Cycle with Hans Hotter, Astrid Varnay and Wolfgang Windgassen in this 14-CD boxed set at a special low price of 14 discs for the price of 9.
Thrillingly conducted by Joseph Keilberth (called by the late Astrid Varnay "a conductor with so much love, who was always there for you"), the cycle provides the opportunity to hear complete for the first time on commercial release the definitive performances of Hans Hotter (Wotan/Wanderer), Astrid Varnay (Brünnhilde), Ramon Vinay (Siegmund), Josef Greindl (Hagen) and Paul Kuen (Mime), in addition to the much-loved Siegfried of Wolfgang Windgassen, here heard in his prime.
These ‘live’ Bayreuth performances were taped by a Decca team led by Peter Andry and including the noted engineers Kenneth Wilkinson and Roy Wallace, with Gordon Parry as assistant. Using a new six channel mixer designed by Wallace, the team made both stereo and mono recordings of each opera. Three microphones were placed in the sunken orchestra pit and three hung from a lighting bridge about 20 feet above the stage. "This was brilliant; it worked beautifully", remembers Wallace. The company prepared for an expected release, but John Culshaw, recently returned to Decca, vetoed the project. He disliked ‘live’ recordings and already had plans for a studio Ring with Solti which began four years later. Decca’s recording vividly captures in wonderful stereo sound the unique acoustic and stage/pit balance of the Bayreuth Festival theatre with its sunken orchestra, in addition to preserving the leading singers from a Wagnerian golden age in ‘live’ performance.
The four individual operas have received rave reviews from the international press and this ‘Ring’ cycle is being hailed as ‘definitive’.
Recorded Bayreuth 1955. The first stereo Ring Cycle.Artists
Das Rheingold Hans Hotter (Wotan), Gustav Neidlinger (Alberich), Georgine von Milinkovič (Fricka), Rudolf Lustig (Loge), Paul Kuen (Mime), Ludwig Weber (Fasolt), Josef Greindl (Fafner), Josef Traxel (Froh), Hertha Wilfert (Freia), Jutta Vulpius (Woglinde), Elisabeth Schärtel (Wellgunde), Maria Graf (Flosshilde)
Die Walküre Astrid Varnay (Brünnhilde), Hans Hotter (Wotan), Gré Brouwenstijn (Sieglinde), Ramón Vinay (Siegmund), Josef Greindl (Hunding), Georgine von Milinkovič (Fricka/Grimgerde), Hilde Scheppan (Helmwige), Gerda Lammers (Ortlinde), Hertha Wilfert (Gerhilde), Elisabeth Scheppan (Waltraute), Jean Watson (Siegrune), Maria von Ilosvay (Schwertleite)
Siegfried Wolfgang Windgassen (Siegfried), Hans Hotter (Der Wanderer), Astrid Varnay (Brünnhilde), Maria von Ilosvay (Erda), Ilse Hollweg (Waldvogel)
Götterdämmerung Astrid Varnay (Brünnhilde), Wolfgang Windgassen (Siegfried), Josef Greindl (Hagen), Hermann Uhde (Gunther), Gré Brouwenstijn (Gutrune), Maria von Ilosvay (Waltraute/First Norn), Georgine von Milinkovič (Second Norn), Mina Bolotine (First Norn)
Chor und Orchester der Bayreuth Festspiele, Joseph Keilberth
Contents and tracklist
- [b]Das Rheingold[/b] Hans Hotter (Wotan), Gustav Neidlinger (Alberich), Georgine von Milinkovič (Fricka), Rudolf Lustig (Loge), Paul Kuen (Mime), Ludwig Weber (Fasolt), Josef Greindl (Fafner), Josef Traxel (Froh), Hertha Wilfert (Freia), Jutta Vulpius (Woglinde), Elisabeth Schärtel (Wellgunde), Maria Graf (Flosshilde) [b]Die Walküre[/b] Astrid Varnay (Brünnhilde), Hans Hotter (Wotan), Gré Brouwenstijn (Sieglinde), Ramón Vinay (Siegmund), Josef Greindl (Hunding), Georgine von Milinkovič (Fricka/Grimgerde), Hilde Scheppan (Helmwige), Gerda Lammers (Ortlinde), Hertha Wilfert (Gerhilde), Elisabeth Scheppan (Waltraute), Jean Watson (Siegrune), Maria von Ilosvay (Schwertleite) [b]Siegfried[/b] Wolfgang Windgassen (Siegfried), Hans Hotter (Der Wanderer), Paul Kuen (Mime), Astrid Varnay (Brünnhilde), Josef Greindl (Fafner), Maria von Ilosvay (Erda), Ilse Hollweg (Waldvogel) [b]Götterdämmerung[/b] Astrid Varnay (Brünnhilde), Wolfgang Windgassen (Siegfried), Josef Greindl (Hagen), Gust
- Chor und Orchester der Bayreuth Festspiele
- Joseph Keilberth
Spotlight on this release
Awards and reviews
-
Presto Recording of the Week1st February 2010
-
Presto FavouritesRecommended Recording
2010
[Keilberth] is urgent and passionate, and the thrust of the performance makes the result intensely exciting, inspiring the great Wagnerian singers in the cast to give of their finest...here [Hotter] not only sings with urgency, his voice is in wonderfully fresh condition, perfectly focused...Varnay as Brünnhilde is similarly moving.
March 2015
Recorded at Bayreuth in 1955, this triumphant cycle conducted by Joseph Keilberth now lays claim to be the first stereo Ring...There were two cycles at Bayreuth that year, and although some may prefer Martha Mödl's searing Brünnhilde from the second cycle (parts of which are also available on the Testament label), this first cycle features Astrid Varnay in a fearless, majestic performance, not least in the closing Immolation Scene.