There's so much wonderful six-part writing in this attractive selection from the 1575 CantionesSacrae that such a medium appears in a new light, particularly when performed by the choir and in the acoustic of New College Chapel – where, as Edward Higginbottom reminds us, they 'have been rehearsing for 500 years'. The beauty and balance of the musical architecture is constantly conveyed to the listener, particularly in the six-part writing. It doesn't matter whether these compositions were intended for liturgical or domestic use, or as a noble offering to the Queen: from a purely musical point of view they're superb. To give a single example, the little Vespers hymn O lux, beata Trinitas displays consummate craftsmanship through the ingenious use of the number three – three high, then three low voices, three diverse voices, a canon three-in-one, three strophes, triple time, and so on, building up to a tremendous final 'Amen'.
The point made by this recording is that it all sounds natural, uncontrived, magnificent. The three organ pieces are a welcome addition: with their brilliant fingerwork and gentle registrations they present a charming and lively contrast to the vocal settings.