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Kate Royal - Recital

Kate Royal (soprano)

Academy of St Martin in the Fields, Edward Gardner

Kate Royal - Recital

Awards:

This CD represents something of a triumph not for one young artist but for two. ENO's new music director, Edward Gardner, conducts the accompaniments, with the Academy of St Martin's on fine...

Kate Royal - Recital

Kate Royal (soprano)

Academy of St Martin in the Fields, Edward Gardner

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit

Awards:

This CD represents something of a triumph not for one young artist but for two. ENO's new music director, Edward Gardner, conducts the accompaniments, with the Academy of St Martin's on fine...

About

Contents and tracklist

Anne Truelove's aria (Scene III)
Track length4:32
Recitative & Aria "No word from Tom"
Track length1:11
Cabaletta "I go, I go to him"
Track length2:59
1. Con qué la laveré?
Track length2:16
2. Vos me matásteis
Track length2:23
3. De dónde venis, amore?
Track length0:56
4. De los álamos vengo, madre
Track length2:12

Spotlight on this release

  • Kate Royal

    3rd Sep 2007by Chris O'Reilly

    The English soprano’s debut album on EMI includes songs by Strauss, Rodrigo, Granados and Canteloube, plus extracts from works by Ravel, Stravinsky and Debussy.

Awards and reviews

  • BBC Music Magazine
    September 2007
    Choral & Song Choice
  • Gramophone Magazine
    October 2007
    Disc of the Month

September 2007

This CD represents something of a triumph not for one young artist but for two. ENO's new music director, Edward Gardner, conducts the accompaniments, with the Academy of St Martin's on fine form. Kate Royal matches him precisely. Each item is beautifully vocalised, but she too is alert to detail. In the Ravel Vocalise en forme de habanera, she finesses her tone and colour and even her pitch to give us the sensual, Spanish, hot-summer-afternoon feel of the piece. In Delibes's Les filles de Cadix, her trills are a delight, but so is the immediacy of her response to the rhythms.

31st August 2007

Royal’s voice is just sublime; rich, warm and pure, it is able to be both lightly playful in Canteloube’s “Malurous qu’o uno fenno”, and languorously dreamy in Strauss’s “Wiegenlied”...What really sets her apart, though, is her ability to get under the skin of a song’s lyrics to take on their emotions...Royal is much more than just a beautiful voice. This is music and singing to savour.

Creamy and pure, Royal's voice is directly in the aristocratic line of Kiri Te Kanewa and Reneé Fleming
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