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English & Italian Madrigals

Hilliard Ensemble

  • Catalogue No: 5616712
  • Label: Erato
  • Series: Veritas
  • Length: 2 hours 5 minutes

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Contents

Gastoldi: Cantiam Lieti Cantiamo

Work length1:59
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-22
  • Recording Venue: 22-24 April 1991/ No. 1 Studio, Abbey Road, London

Caprioli, A: E d'un bel matin d'amore

Work length0:53
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Caprioli, A: Quella bella e bianca mano

Work length3:13
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Caprioli, A: Una leggiadra nimpha

Work length3:13
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Stdio, Abbey Road, London

Compère: Venite amanti insieme

Work length2:24
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Verdelot: Divini occhi sereni

Work length1:45
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Verdelot: Con l'angelico riso

Work length1:59
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Verdelot: Madonna il tuo bel viso

Work length3:08
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Verdelot: Fuggi, fuggi, cor mio

Work length1:35
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road , London

Verdelot: Si liet'e grata morte

Work length3:29
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-30
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Arcadelt: Se la dura durezza

Work length1:53
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road , London

Arcadelt: Ahimè, ahimè, dov'è 'l bel viso

Work length2:23
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Arcadelt: Madonna, s'io v'offendo

Work length1:52
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road , London

Arcadelt: Il bianco e dolce digno

Work length2:04
$1.00
$1.30
  • Paul Hillier (director), The Hilliard Ensemble (vocal ensemble)
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Patavino: Donne, venète al ballo

Work length3:01
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Casulana: Morir Non Puo Il Mio Cuore

Work length1:58
$1.00
$1.30
  • Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Marenzio: Se la mia vita

Work length4:56
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Rore: Mia benigna fortuna (madrigal à 4 voix)

Work length3:07
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Rore: Ancor che co'l partire

Work length2:32
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Rore: O sonno, o della queta humida ombrosa

Work length3:22
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Giovanni Domenico del Giovane da Nola: Chi la gagliarda

Work length3:25
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Simon Woods (lead vocals), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Willaert: Madonna mia fa

Work length3:01
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Giovanni Domenico del Giovane da Nola: Medici nui siamo

Work length4:37
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Bell'haver: Quando sarà mai quel zorno

Work length4:24
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Lassus: Matona mia cara

Work length2:32
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Giovanni Domenico del Giovane da Nola: Tri ciechi siamo

Work length2:04
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1991-04-24
  • Recording Venue: 22-24 April 1991 / No. 1 Studio, Abbey Road, London

Morley: O Greefe even on the Bud

Work length2:07
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

Morley: When loe by breake of morning

Work length1:42
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

Morley: Aprill is in my Mistris face

Work length1:28
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

Weelkes: Thule, the period of Cosmographie

Work length4:52
$2.00
$2.60
  • Paul Hillier (bass), David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

a. (The first Part)

Track length2:28
$1.00
$1.30

b. (The second Part)

Track length2:24
$1.00
$1.30

Morley: Sweet nimphe come to thy lover

Work length1:41
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

Wilbye: Sweet honey-sucking bees

Work length4:54
$2.00
$2.60
  • Paul Hillier (bass), David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

a. (The first Part)

Track length1:57
$1.00
$1.30

b. The second Part)

Track length2:57
$1.00
$1.30

Morley: Miraculous Love's wounding

Work length3:07
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

Wilbye: Adew sweet Amarillis

Work length2:53
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

Bennet: Weepe, O mine eyes

Work length2:42
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio Abbey Road, London

Gibbons, O: The Silver Swan

Work length1:49
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio Abbey Road, London

Weelkes: O Care thou wilt dispatch mee

Work length4:44
$2.00
$2.60
  • Paul Hillier (bass), David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

a. (The first Part)

Track length2:09
$1.00
$1.30

b. (The second Part)

Track length2:35
$1.00
$1.30

Weelkes: Since Roben Hood

Work length1:28
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

Morley: Fyre and lightning

Work length0:58
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio Abbey Road, London

Weelkes: Strike it up, Tabor

Work length1:41
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

Tomkins: See, see the shepherds' Queen

Work length2:03
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

Ward, J: Come, sable night

Work length5:42
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

Vautor: Sweet Suffolke Owle

Work length2:41
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

Morley: In nets of golden wyers

Work length3:00
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987 / No.1 Studio, Abbey Road, London

Wilbye: Draw on, sweet night

Work length5:32
$1.00
$1.30
  • David James (countertenor), Gillian Fisher (soprano), Lynne Dawson (soprano), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass), Paul Hillier (director)
  • The Hilliard Ensemble
  • Recorded: 1987-05-31
  • Recording Venue: May 1987/No.1 Studio, Abbey Road, London

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