Janacek & Haas: String Quartets No. 2

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…what is immediately striking about the present performance is its boldness and originality in terms of tempo contrasts, rhythmic emphasis and textural variety. Not only the playing beyond reproach... — BBC Music Magazine, October 2006, 5 out of 5 stars More…

Release Date: 2nd Oct 2006
Catalogue No: SU38772
Label: Supraphon
Length: 57 minutes

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September 2012

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BBC Music Magazine

October 2006

Chamber Choice
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2007

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2007

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Janáček: String Quartet No. 2 'Intimate Letters'

Work length25:46

$3.20

$4.20

Pavel Haas Quartet

I. Andante- Con moto

Track length6:22

$0.80

$1.05

II. Adagio - Vivace

Track length5:58

$0.80

$1.05

III. Moderato - Adagio

Track length5:43

$0.80

$1.05

IV. Allegro - Andante

Track length7:43

$0.80

$1.05

Haas, P: String Quartet No. 2, Op. 7 "From the Monkey Mountains"

Work length31:43

$3.20

$4.20

Colin Currie (soloist)
Pavel Haas Quartet

I. Landscape. Andante

Track length10:12

$0.80

$1.05

II. Coach, Coachman and Horse. Andante

Track length4:46

$0.80

$1.05

III. The Moon and I. Largo e misterioso

Track length8:02

$0.80

$1.05

IV. Wild Night. Vivace e con fuoco

Track length8:43

$0.80

$1.05

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Favourites, Leoš Janáček

Katherine surveys recordings of Janáček and makes some recommendations.

Awards, BBC Music Magazine Awards

16th April 2007

Reviews

October 2006

…what is immediately striking about the present performance is its boldness and originality in terms of tempo contrasts, rhythmic emphasis and textural variety. Not only the playing beyond reproach on technical grounds, but also, more importantly, it conveys with almost graphic immediacy the searing passion the 74-year-old composer felt for Kamila Stösslová. The performers demonstrate a similarly convincing capacity to bring imagery to life in the remarkable Second Quartet by the Janácek pupil Pavel Haas.

18th December 2006

Yet these young players stamp their authority on the piece with a technical precision and a searing immediacy that’s rarely if ever been equalled...You’d be disappointed if the quartet that named itself after the composer couldn’t make it a special recording, and it has. Great performances, an imaginative programme, and a superb recording as well. This couldn’t be better.

2010

The catalogue is not short of recommendable versions of Janácek's IntimateLetters Quartet. But there are any number of ways of bringing its hyper-passionate declarations off the page, and this young Czech quartet have plenty of ideas of their own about that. Once or twice that leads them into an overcalculated delivery. But try the third movement at 2'58" where, having fined the texture down to a whisper, Janácek gives the first violin an electrifying outburst: it's hard to imagine if that contrast has been made more emotionally real on record.
But then there is the 1925 Second Quartet by the composer whose name the players have adopted. This is the kind of piece that may make you wonder why you haven't heard it before.
After a first movement that tellingly redeploys a number of patent Janácekisms, Haas slips into the grotesque humour of Stravinsky's ThreePieces for String Quartet and once again fashions a structure that transcends reliance on its model.
In the finale whackiness goes a step further, with a rollicking jazz-folk fusion, brilliantly caught here together with the original drum-kit accompaniment that Haas suppressed following adverse criticism at the premiere. The PHQ's streamlined but full-blooded playing is more than welcome, and if they are lining up the first Janácek and the first and third Haas for a followup CD, bravo! Superb recording quality too.

November 2006

…try the third movement at 2'58" where, having fined the texture down to a whisper, Janáček gives the first violin an electrifying outburst; if that contrast has been made more emotionally real on record it is certainly not so on the half-dozen LPs and CDs I picked off my shelves. I would almost be inclined to recommend the new disc for this moment alone. But there is the 1925 Second Quartet by the composer whose name the players have adopted. After a first movement that tellingly redeploys a number of patent Janáčekisms, Haas slips into the grotesque humour of Stravinsky's Three Pieces for String Quartet and once again fashions a structure that transcends reliance on its model. In the finale whackiness goes a step further, with a rollicking jazz-folk fusion... the PHQ's streamlined but full-blooded playing more than welcome...

May 2014

compelling for its balance of technical mastery and raw emotion

Janacek & Haas: String Quartets No. 2

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