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North

Finnish and Scandinavian Vocal Music

Accentus, Eric Ericson

North
Their climax is Lars Johan Werle's wonderful, testing setting of Petrarch's 126th Canzone, which opens in a Gesualdo-like style and gradually assimilates more modern elements before returning...

Gramophone Magazine, September 2006

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North

Finnish and Scandinavian Vocal Music

Accentus, Eric Ericson

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Their climax is Lars Johan Werle's wonderful, testing setting of Petrarch's 126th Canzone, which opens in a Gesualdo-like style and gradually assimilates more modern elements before returning...

Gramophone Magazine, September 2006

More reviews

About

Contents and tracklist

Sibelius: Sydämeni laulu (Song of my Heart), Op. 18, No. 6
Work length2:18
Sibelius: Rakastava, Op. 14
Work length6:26
Sibelius: Drömmarna (Text: Jonatan Reuter), JS 64
Work length1:45
Sibelius: Sortunut ääni
Work length1:54
Rautavaara: Och glädjen den dansar
Work length2:55
Rautavaara: Sommarnatten
Work length3:10
Kuula: Ayringon noustessa
Work length4:09
Kuula: Siell' on kauan jo kukkineet omenapuut
Work length5:20
Kuula: Minun kultani kaunis on
Work length1:20
Kuula: Tuuti lasta Tuonelahan
Work length3:26
Kuula: Nuku
Work length2:30
Stenhammar: Tre Körvisor - September
Work length2:01
Stenhammar: Tre Körvisor - I Seraillets Have
Work length2:04
Stenhammar: Tre Körvisor - Havde Jeg, O Havde Jeg en Datterson
Work length1:22
Wikander: Kung Liljekonvalje (text: Gustav Fröding)
Work length3:33
Wikander: Forvarskavall
Work length4:23
Alfvén: Uti vår hage (Text: Folk-song from Gotland)
Work length2:20
Alfvén: Aftonen
Work length3:56
Rautavaara: Die erste Elegie
Work length9:22
Nystedt: O Crux
Work length6:18
Jersild: Min Yndlingsdal
Work length3:58
Sandstrøm, J: Tva Körpoem - Anrop
Work length2:59
Sandstrøm, J: Tva Körpoem - Tva Japanska Landskap
Work length5:00
Werle: Canzone 126 Di Francesco Pertrarca
Work length10:28

Awards and reviews

September 2006

Their climax is Lars Johan Werle's wonderful, testing setting of Petrarch's 126th Canzone, which opens in a Gesualdo-like style and gradually assimilates more modern elements before returning to the opening simplicity. This is how all contemporary choral music should be sung.
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