Brahms: Liebeslieder-Walzer, Op. 52, etc.

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These delightful works will be eagerly snapped up by lovers of these seemingly simple but, in fact, quite complex settings for one, two or four voices.
The performances are thoroughly idiomatic,... — Gramophone Classical Music Guide, 2010 More…

Release Date: 1st Dec 1987
Catalogue No: 4231332
Label: Deutsche Grammophon
Length: 53 minutes

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Brahms: Liebeslieder-Walzer, Op. 52

Work length23:08

$19.80

$27.00

Edith Mathis (soprano), Peter Schreier (tenor), Dietrich Fischer-Dieskau (baritone), Karl Engel (piano), Wolfgang Sawallisch (piano), Brigitte Fassbaender (contralto)
Recorded: 1981-09-18
Recording Venue: Studio Lankwitz, Berlin

1. Rede, Mädchen, allzu liebes

Track length1:19

$1.10

$1.50

2. Am Gesteine rauscht die Flut

Track length0:43

$1.10

$1.50

3. O die Frauen, o die Frauen

Track length1:15

$1.10

$1.50

4. Wie des Abends schöne Röte

Track length0:52

$1.10

$1.50

5. Die grüne Hopfenranke

Track length1:43

$1.10

$1.50

6. Ein kleiner, hübscher Vogel nahm den Flug

Track length2:35

$1.10

$1.50

7. Wohl schön bewandt war es vorehe

Track length1:07

$1.10

$1.50

8. Wenn so lind dein Auge mir

Track length1:27

$1.10

$1.50

9. Am Donaustrande, da steht ein Haus

Track length2:10

$1.10

$1.50

10. O wie sanft die Quelle sich

Track length0:53

$1.10

$1.50

11. Nein, es ist nicht auszukommen

Track length0:52

$1.10

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12. Schlosser auf! und mache Schlösser

Track length0:43

$1.10

$1.50

13. Vögelein durchrauscht die Luft

Track length0:45

$1.10

$1.50

14. Sieh, wie ist die Welle klar

Track length0:49

$1.10

$1.50

15. Nachtigall, sie singt so schön

Track length1:19

$1.10

$1.50

16. Ein dunkler Schacht ist Liebe

Track length1:15

$1.10

$1.50

17. Nicht wandle, mein Licht, dort aussen

Track length1:57

$1.10

$1.50

18. Es bebet das Gesträuche

Track length1:24

$1.10

$1.50

Brahms: Neue Liebeslieder Waltzer, Op.65 - Verses From "Polydora"

Work length18:30

$16.50

$22.50

Edith Mathis (soprano), Peter Schreier (tenor), Dietrich Fischer-Dieskau (baritone), Karl Engel (piano), Wolfgang Sawallisch (piano), Brigitte Fassbaender (contralto)
Recorded: 1981-09-18
Recording Venue: Studio Lankwitz, Berlin

1. Verzicht, o Herz, auf Rettung

Track length0:44

$1.10

$1.50

2. Finstere Schatten der Nacht

Track length1:29

$1.10

$1.50

3. An jeder Hand die Finger

Track length1:12

$1.10

$1.50

4. Ihr schwarzen Augen

Track length0:46

$1.10

$1.50

5. Wahre, wahre deinen Sohn

Track length1:02

$1.10

$1.50

6. Rosen steckt mir an die Mutter

Track length0:46

$1.10

$1.50

7. Vom Gebirge, Well' auf Well'

Track length1:01

$1.10

$1.50

8. Weiche Gräser im Revier

Track length1:26

$1.10

$1.50

9. Nagen am Herzen

Track length1:05

$1.10

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10. Ich kose süss mit der und der

Track length1:09

$1.10

$1.50

11. Alles, alles in den Wind

Track length0:44

$1.10

$1.50

12. Schwarzer Wald, dein Schatten ist so düster!

Track length1:34

$1.10

$1.50

13. Nein, Geliebter, setze dich

Track length1:21

$1.10

$1.50

14. Flammenauge, dunkles Haar

Track length1:42

$1.10

$1.50

15. Zum Schluss: Nun, ihr Musen genug!

Track length2:29

$1.10

$1.50

Brahms: Quartette (3), Op. 64

Work length12:19

$3.30

$4.50

Edith Mathis (soprano), Brigitte Fassbaender (contralto), Peter Schreier (tenor), Dietrich Fischer-Dieskau (baritone), Karl Engel (piano)
Recorded: 1981-09-18
Recording Venue: Studio Lankwitz, Berlin

1. An die Heimat

Track length4:47

$1.10

$1.50

2. Der Abend

Track length4:27

$1.10

$1.50

3. Fragen

Track length3:05

$1.10

$1.50

Reviews
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Reviews

2010

These delightful works will be eagerly snapped up by lovers of these seemingly simple but, in fact, quite complex settings for one, two or four voices.
The performances are thoroughly idiomatic, both as regards the singers and pianists, with full value given to the words and their meaning. It isn't merely a question of fine singing, which with this quartet can be more or less taken for granted: the subtlety and charm of the interpretations makes what can all too often be a dreary sequence of three-four numbers into a poetic response to the nature of the waltz. There's an intelligent give-and-take between the soloists, so that voices move in and out of the limelight, as the skilful recording allows, and an extra dimension of the music is disclosed here that's too often obscured.
The immediate sound is here a great advantage.
This is a very worthwhile and welcome reissue of a most attractive individual record.

Offer,Brahms: Liebeslieder-Walzer, Op. 52, etc.

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