Gershwin: Porgy and Bess
Willard White, Cynthia Haymon, Damon Evans, Cynthia Clarey, Harolyn Blackwell, Bruce Hubbard, Marietta Simpson & Gregg Baker
Glyndebourne Chorus & London Philharmonic Orchestra, Sir Simon Rattle
Awards:
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Gramophone Awards, 1989, Winner - Opera
-
Penguin Guide, Rosette
Glyndebourne's epoch-making production, taken to the recording studio two years later, helped cement the work's reputation as one of the greatest 20th-century operas.
Gershwin: Porgy and Bess
Willard White, Cynthia Haymon, Damon Evans, Cynthia Clarey, Harolyn Blackwell, Bruce Hubbard, Marietta Simpson & Gregg Baker
Glyndebourne Chorus & London Philharmonic Orchestra, Sir Simon Rattle
Purchase product
Awards:
-
Gramophone Awards, 1989, Winner - Opera
-
Penguin Guide, Rosette
Glyndebourne's epoch-making production, taken to the recording studio two years later, helped cement the work's reputation as one of the greatest 20th-century operas.
About
Contents and tracklist
- Wayne Marshall (piano), Harolyn Blackwell (soprano), Johnny Worthy (tenor), Bruce Hubbard (bass-baritone), Barrington Coleman (tenor), Curtis Watson (bass-baritone), Cynthia Clarey (soprano), Marietta Simpson (mezzo-soprano), Maureen Braithwaite (soprano), Mervin Wallace (tenor), Damon Evans (tenor), Willard White (baritone), Cynthia Haymon (soprano), Gregg Baker (bass-baritone), Ron Travis (vocals), Alan Tilvern (vocals), Autris Paige (bass-baritone), Paula Ingram (mezzo-soprano), William Johnson (bass-baritone), Linda Thompson (soprano), Ted Maynard (vocals), Colenton Freeman (vocals), Camelia Johnson (soprano), Billy J. Mitchell (vocals)
- London Philharmonic Orchestra, Craig Ruttenberg, Glyndebourne Chorus
- Sir Simon Rattle
Porgy and Bess, Act II, Scene 1: Honey, we sure goin' strut our stuff today!...Bess, you is my woman now
Track length6:14
Awards and reviews
-
Penguin GuideRosette
April 2006
Glyndebourne's epoch-making production, taken to the recording studio two years later, helped cement the work's reputation as one of the greatest 20th-century operas.
March 2008
Another landmark set, and a life-enhancing experience. Simon Rattle’s terrific Glyndebourne company, with every support from the recording team – the production sounds superb – manage to turn Abbey Road into a real theatrical environment. The cast are so much a part of their roles that one almost takes the excellence of their contributions for granted. And behind it all is Rattle, so attuned and so alive to every aspect of this remarkable score.