Special offer. Vivaldi: Orlando Furioso, RV728
Marie-Nicole Lemieux, Jennifer Larmore, Veronica Cangemi, Philippe Jaroussky, Lorenzo Regazzo, Ann Hallenberg, Blandine Staskiewicz
Choeur Les Eléments & Ensemble Matheus, Jean-Christophe Spinosi
Awards:
-
BBC Music Magazine, March 2005, Opera Choice
-
Gramophone Magazine, April 2005, Editor's Choice
Jean-Christophe Spinosi's imaginative interpretation of Vivaldi's Orlando, excellently cast and performed.
Special offer. Vivaldi: Orlando Furioso, RV728
Marie-Nicole Lemieux, Jennifer Larmore, Veronica Cangemi, Philippe Jaroussky, Lorenzo Regazzo, Ann Hallenberg, Blandine Staskiewicz
Choeur Les Eléments & Ensemble Matheus, Jean-Christophe Spinosi
Purchase product
Awards:
-
BBC Music Magazine, March 2005, Opera Choice
-
Gramophone Magazine, April 2005, Editor's Choice
Jean-Christophe Spinosi's imaginative interpretation of Vivaldi's Orlando, excellently cast and performed.
About
Contents and tracklist
- Jennifer Larmore (mezzo-soprano), Blandine Staskiewicz (mezzo-soprano), Lorenzo Regazzo (bass-baritone), Philippe Jaroussky (countertenor), Veronica Cangemi (soprano), Ann Hallenberg (mezzo-soprano), Marie-Nicole Lemieux (contralto)
- Elements Chamber Choir, Les, Ensemble Matheus
- Jean-Christophe Spinosi
Act I Scene 2: Recitativo: Quanta pieta mi desta il suo cordoglio! (Alcina, Orlando, Astolfo)
Track length2:18
Act I Scene 4: Recitativo: Pietoso Dio d'amor, poiche a te piacque (Orlando, Bradamante)
Track length2:04
Act I Scene 7: Recitativo: Intanto che Angelica e smaniosa Alcina con magici accenti sana Medoro dalla ferrite (Alcina, Angelica, Medoro)
Track length2:14
Act I Scene 9: Recitativo: Medoro il ciglio abbassi, e stai dolente? (Alcina, Medoro)
Track length0:50
Act I Scene 11: Recitativo: Vo cercando Ruggiero, e'l trovo involto (Bradamante, Alcina, Ruggiero)
Track length2:12
Act II Scene 3: Recitativo: Qui viene il mio Ruggier resisti o core (Bradamante, Ruggiero, Orlando)
Track length2:07
Act II Scene 4: Recitativo: Qual terra ignota al suol, qual antro cieco (Ruggiero, Orlando)
Track length1:03
Act II Scene 6: Recitativo: Questa e amorosa fe, quello e un bel core (Angelica, Orlando)
Track length1:32
Act II Scene 7: Recitativo: Orlando, dove Orlando? Arresta il passo (Astolfo, Angelica, Orlando)
Track length1:20
Act II Scene 10: Recitativo: Hai vinto al fine, o mio pudico amore (Bradamante, Ruggiero)
Track length1:39
Act II Scene 11: Recitativo: Qui dove dolce Zeffiretto spira (Angelica, Medoro, Alcina)
Track length1:31
Act III Scene 4: Recitativo: Cortese Ifigenia il furibondo Oreste (Orlando, Alcina, Ruggiero, Bradamante)
Track length3:24
Act III Scene 5: Recitativo: Come purpureo fior languendo (Angelica, Orlando, Alcina, Ruggiero, Bradamante)
Track length0:35
Act III Scene 5: Recitativo: E la donna crudele (Angelica, Orlando, Alcina, Ruggiero, Bradamante)
Track length0:33
Act III Scene 5: Recitativo: Ma se lungi e il suo ben, qual piu doglioso (Angelica, Orlando, Alcina, Ruggiero, Bradamante)
Track length1:29
Act III Scene 6: Recitativo: Ella parte. Mirate la menzogna e con lei (Orlando, Alcina, Bradamante, Ruggiero)
Track length1:51
Act III Scene 6: Recitativo: Parte il mio ben (Orlando, Alcina, Bradamante, Ruggiero)
Track length0:27
Act III Scene 8: Recitativo: Costanza e allora il variar pensiero? (Angelica, Ruggiero, Medoro)
Track length1:21
Act III Scene 11: Recitativo: Infelice! Ove fuggo? (Alcina, Orlando, Bradamante, Ruggiero)
Track length1:01
Act III Scene 12: Recitativo: Salviamci! E dove o bella? (Angelica, Medoro, Bradamante, Alcina)
Track length0:22
Act III Scena ultima: Recitativo: Angelica s'arrresti, e pera Alcina! (Astolfo, Bradamante, Alcina, Ruggiero, Orlando)
Track length2:02
Act III Scena ultima: Recitativo: Vedi, ch'e tuo trionfo (Astolfo, Bradamante, Alcina, Ruggiero, Orlando)
Track length0:48
Awards and reviews
-
BBC Music MagazineMarch 2005Opera Choice
-
Gramophone MagazineApril 2005Editor's Choice
March 2008
Jean-Christophe Spinosi's imaginative interpretation of Vivaldi's Orlando, excellently cast and performed.
October 2006
Spinosi and his excellent team of musicians have revised history's judgement of Orlando furioso by their compelling presentation.
2010
Vivaldi's opera combines magic, heroism and comedy to tell of a seductive sorceress, a noble knight driven insane by love, a feisty fiancée who disguises herself as a man to rescue her bewitched lover, and a magic ring that helps ensure everything ends happily ever after. This recording bears the fruit of Vivaldi scholar Frédéric Delaméa's painstaking reconstruction of the original 1727 version. Marie-Nicole Lemieux's delivery of Orlando's anguished and often unhinged recitative is astonishingly good, full of conviction, passionate, and vocally brilliant.
When his sanity is restored, she achieves a tangible lucidity that makes the drama wholly satisfying.
Jennifer Larmore's sorceress Alcina is devious, vivacious, and venomous. Philippe Jaroussky's Ruggerio is adept at both delicacy and heroism and Ann Hallenberg is excellent as his fiancée Bradamante.
Ensemble Matheus provide bright ritornelli and intelligent accompaniments. The playing is often abrasive and intentionally percussive in fast music, but the performers also excel at the softer moments. Spinosi's direction is vividly theatrical, and recitatives are declaimed with aplomb, although sometimes it sounds as if characters cannot wait to interrupt with their next line.
Vivaldi's score has a dramatic stature greater than most of his other operas. He rarely devoted much attention to accompanied recitatives, but here he composed several that are unusually extensive and adventurous. This is a magnificent achievement: if Vivaldi needed a champion to establish his credentials as an opera composer, then this recording is it.
This is a magnificent achievement, and one of the pinnacles of Opus 111’s monumental Vivaldi Edition. If Vivaldi needed a champion to more firmly establish his credentials as a fully-fledged opera composer, then this recording is it.
