Mascagni: Cavalleria Rusticana

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This was a strong contender in an overcrowded field when it was first released. You'd be hard pressed to find either a more positive or a more intelligent Turiddu or Santuzza than Domingo or... — Gramophone Classical Music Guide, 2010 More…

Release Date: 10th Aug 1999
Catalogue No: 74321395002
Label: RCA
Length: 70 minutes

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Mascagni: Cavalleria Rusticana

Work length1:10:32

$27.30

$35.70

Plácido Domingo (tenor), Ambrosian Singers, Renata Scotto (soprano), Pablo Elvira (baritone), National Philharmonic Orchestra, Jean Kraft (mezzo-soprano), Isola Jones (mezzo-soprano), John McCarthy (chorus master), Anne Simon (mezzo-soprano)
James Levine

Preludio

Track length2:23

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O Lola chái la, di latti la cammisa

Track length4:50

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Act I: Gli aranci olezzano

Track length9:38

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Act I: Dite, mamma Lucia

Track length3:02

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Act I: Il cavallo scalpita

Track length2:07

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Act I: Beato voi, compar Alfio

Track length0:50

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Act I: Regina coeli, laetare - Alleluja!

Track length6:15

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Act I: Voi lo sapete

Track length5:36

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Act I: Tu qui, Santuzza?

Track length2:02

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Act I: Bada, Santuzza, schiavo non sono

Track length1:10

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Act I: Fior die giaggiolo, gli angeli belli stanno

Track length2:44

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Act I: Ah, lo vedi, che hai tu detto?

Track length0:21

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Act I: Turiddu, ascolta!

Track length5:02

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Act I: Oh, il Signore vi manda, compar Alfio

Track length0:58

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Act I: Il ver

Track length4:10

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Act I: Intermezzo sinfonico

Track length4:07

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Act I: A casa, a casa, amici

Track length2:28

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Act I: Intanto, amici, qua, beviamone un bicchiere

Track length2:43

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Act I: A voi tutti salute!

Track length1:55

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Act I: Compar Turiddu

Track length2:53

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Act I: Mamma, mamma ... quel vino è generoso

Track length5:18

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Reviews
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Reviews

2010

This was a strong contender in an overcrowded field when it was first released. You'd be hard pressed to find either a more positive or a more intelligent Turiddu or Santuzza than Domingo or Scotto. Scotto manages to steer a precise course between being too ladylike or too melodramatic. She suggests all the remorse and sorrow of Santuzza's situation without resorting to self-pity. Her appeals to Turiddu to reform could hardly be more sincere and heartfelt, her throbbing delivery to Alfio, 'Turiddi mi tolse l'honore', expresses all her desperation when forced to betray her erstwhile lover, and her curse on Turiddu, 'A te la mala pasqua', while not resorting to the lowdown vigour of some of her rivals, is filled with venom. Domingo proved how committed he was to his role when the part was first given to him at Covent Garden in the mid- 1970s. He gives an almost Caruso-like bite and attack to Turiddu's defiance and (later) remorse, and finds a more appropriate timbre than Bergonzi (for Karajan, reviewed under Leoncavallo). He also delivers the Brindisi with an appropriately carefree manner, oblivious of the challenge awaiting him. Pablo Elvira's Alfio is no more than adequate, and the other American support is indifferent.
Levine's direction, as positive as Karajan's, is yet quite different. He goes much faster, and time and again catches the passion if not always the delicacy of Mascagni's score. He's well supported by the superb NPO. With a bright and forward recording, this reading of the work is wholly arresting.

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