Szymanowski: Complete Songs voice & piano
Piotr Beczala (tenor), Urszula Kryger (mezzo), Iwona Sobotka (soprano) & Reinild Mees (piano)
This set proposes a kind of luxury musical package- tour for the jet-set age – today expressionist Austria, tomorrow Slavic fantasy, the day after high-romanticism in Germany, and then away...
Szymanowski: Complete Songs voice & piano
Piotr Beczala (tenor), Urszula Kryger (mezzo), Iwona Sobotka (soprano) & Reinild Mees (piano)
Purchase product
This set proposes a kind of luxury musical package- tour for the jet-set age – today expressionist Austria, tomorrow Slavic fantasy, the day after high-romanticism in Germany, and then away...
About
Contents and tracklist
- Reinild Mees, Juliana Gondek
- Reinild Mees, Juliana Gondek
- Reinild Mees, Juliana Gondek
- Reinild Mees, Juliana Gondek
- Reinild Mees, Juliana Gondek
- Reinild Mees, Juliana Gondek
- Reinild Mees, Juliana Gondek
Awards and reviews
2010
This set proposes a kind of luxury musical package- tour for the jet-set age – today expressionist Austria, tomorrow Slavic fantasy, the day after high-romanticism in Germany, and then away for a weekend in the exotic realms of the Near East. The different locales materialise out of thin air, colourful, fully formed, without a moment for the traveller to get bored on the way. Szymanowski's song output is doubly intriguing – first, for those far-flung contrasts of style; second, because it's so little known. Though the Polish language is an issue, this admirable set reminds us that there are also songs in German and even a James Joyce cycle in English.
Four singers take part, one to each disc. Piotr Beczala is a light, poetic young tenor with some passion up his sleeve. He's dreamily captivating in the early Six Songs of Op 2, where Fauré and Rachmaninov seem to be whispering ideas alternately over Szymanowski's shoulders; catches well the change of tone to religious concentration in the Three Fragments by Jan Kasprowicz; and brings lyric beauty to the Schoenberginspired Op 13 settings.
The voice of soprano Juliana Gondek is a touch brittle for the sultry mood Szymanowski must have had in mind for the Songs of the InfatuatedMuezzin, and a bit more could be made of the words in the Joyce cycle; yet there's still much to enjoy. The sensitive singing of mezzo Urszula Kryger plunges straight into the swirling Tristanesque ecstasy of the Wagnerian Op-20 set. The glinting lights of the Orient return in Des HafisLiebeslieder, another set of paraphrases by Hans Bethge to place beside Das Lied von der Erde, and the four songs of Op 41 take us forward into more ambiguous and experimental terrain.
The familiar Songs of the Fairy Princess promise a magical opening to the fourth disc in a winning performance by young Iwona Sobotka. Here's a pure, steady, light soprano who can flit up into the ledger lines without a hint of shrillness.
She's also interesting in the antique Polish songs of the Spopiewnie, Op 46, and makes a lively job of the miniature Children's Rhymes of Op 49, even if a few go rather a long way.
The pianist, Reinild Mees, exhibits a faultless sense of atmosphere throughout, whether delicately conjuring Oriental mystery or thundering up and down Lisztian octaves. The adventurous traveller need look no further.
