By common consent, Mitsuko Uchida is among the leading Mozart pianists of today, and her recorded series of the piano sonatas won critical acclaim as it appeared and finally Gramophone Awards in 1989 and 1991. Here are all the sonatas, plus the Fantasia in C minor, K475, which is in some ways a companion piece to the sonata in the same key, K457. This is unfailingly clean, crisp and elegant playing, that avoids anything like a romanticised view of the early sonatas such as the delightfully fresh G major, K283. On the other hand, Uchida responds with the necessary passion to the forceful, not to say Angst-ridden, A minor Sonata, K310. Indeed, her complete series is a remarkably fine achievement, comparable with her account of the piano concertos. The recordings were produced in the Henry Wood Hall in London and offer excellent piano sound; thus an unqualified recommendation is in order for one of the most valuable volumes in Philips's Complete Mozart Edition. Don't be put off by critics who suggest that these sonatas are less interesting than some other Mozart compositions, for they're fine pieces written for an instrument that he himself played and loved.