Perlman's account of the Berg Violin Concerto with the Boston orchestra under Ozawa has long occupied a respected place in the catalogue. The original reviewer in Gramophone in March 1980 was completely convinced by Perlman's 'commanding purposefulness'. As to the recording, he wrote that 'though Perlman's violin – beautifully caught – is closer than some will like, there's no question of crude spotlighting'.
Twenty years later and in a different competitive climate, his favourable verdict still holds good. Perlman is also a little too close in the Tzigane, the recording of which sets him very firmly front-stage again. But this is playing of stature and still among the best available versions.
There are more desirable recordings now available of the Stravinsky.

excellent sound: the spacious but not over-resonant acoustic and admirable balance between soloist and orchestra remain exemplary and appealing