Ashkenazy's Chopin hardly needs any further advocacy. His distinguished and virtually complete survey rests alongside the Rubinstein recordings in general esteem. The 16 Polonaises were not recorded in sets but individually, or in small groups, which is one reason why they sound so fresh, with Ashkenazy striking a sensitive artistic balance between poetic feeling and the commanding bravura that one takes for granted in the more extrovert pieces, with their Polish patriotic style. The recordings vary between analogue and digital, and the recording venues are as different as the Kingsway Hall, St-John's, Smith Square, and All Saints, Petersham; but the realism of the piano sound is remarkably consistent. A series of shorter pieces is included on the second disc and the playing is always distinguished. Among the major items, the gentle Berceuse is quite melting, while the Allegro de concert and Barcarolle are hardly less memorable.