Chopin - Polonaise No. 7 in A flat major, Op. 61 'Polonaise-fantaisie'
Genres:
Instrumental » Piano Solos » Polonaises
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The Complete Chopin Edition
RecommendedKrystian Zimerman (piano), Claudio Arrau (piano), Anatol Ugorski (piano), Maurizio Pollini (piano), Vladimir Ashkenazy (piano), Maria João Pires (piano), Martha Argerich (piano), Rafal Blechacz (piano), Yundi Li (piano), Lilya Zilberstein (piano), Mikhail Pletnev (piano), Kurt Bauer, Heidi Bung (pianos),...
The quality, both of DG's chosen recordings and the set's general presentation, is just about as good as it gets. To have in one box such wonders as Zimmerman's Ballades, Pollini's Etudes,... — More…
Awards:
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Presto Recording of the Week, 26th April 2010
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Building a Library, November 2010, First Choice
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Hough stresses the Classical outlook of Chopin's Romanticism, even in a programme encompassing some of his most harmonically advanced music. The opening Barcarolle has rare clarity, and the... — More…
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Presto Recording of the Week, 26th April 2010
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Horowitz: The Historic Return, Carnegie Hall 1965 & The 1966 Concerts
RecommendedVladimir Horowitz (piano)
Awards:
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Grammy Awards, 8th Awards (1965), Best Classical Instrumental Solo Recording
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Grammy Awards, 8th Awards (1965), Best Engineered Album, Classical
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Grammy Awards, 8th Awards (1965), Classical Album of the Year
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Maurizio Pollini makes it virtually impossible to imagine Chopin's Polonaises played with greater clarity, force and resolution. Not for him the odd approximation or slip of the finger: everything... — More…
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All the Pollini hallmarks are here too: chiselled structure, aristocratic demeanour and lucid lines. It’s a serious approach, which isn’t to the detriment of these miniatures. He also judges... — More…
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ECHO Klassik Awards, 2017, Winner
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Awards:
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Opus Klassik Awards, 2023, Nominated - Young Talent
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Displaying a brilliantly secure technique, the young Polish pianist is fully up to the challenges of these glittering pieces. He also feels the nostalgia and longing of the music, and hearing... — More…
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Gramophone Magazine, December 2013, Editor's Choice
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Cortot’s 1928 recording of the Second Sonata is one of the earliest studio recordings of the work. He takes dizzying tempos at various points: both the scherzo and the finale are rapid and threaten... — More…
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Gramophone Magazine, March 2007, Re-issue of the Month
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Coming soon. Emanuel Ax Plays Chopin
RecommendedEmanuel Ax (piano), Pamela Frank (violin), Yo - Yo Ma (cello)
Orchestra of the Age of Enlightenment, Sir Charles Mackerras
Awards:
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Building a Library, January 2020, Also Recommended
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Building a Library, March 2023, Also Recommended
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