Gardiner's performance is notable for its intensity and fervour, and for the superb singing of his choir: splendidly firm and secure attacks and phrasing, always with fine tonal quality, meticulous attention to dynamic nuances, and alertness to verbal meaning and nuance. The solo baritone is a real find: an admirably focused voice with cleanly projected words and sensitive tonal gradations: if the soprano, pure-voiced and consoling, seems slightly less distinguished, it may be that she's set a trifle too far from the microphone.
Pains have been taken to bring out contrapuntal strands with clarity, in both the chorus and the orchestra; and here the employment of period instruments and of selective string vibrato makes a significant contribution. In the past Gardiner has been accused of minimising the spiritual quality of religious works; but not in this outstanding performance.