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Special offer. Vaughan Williams - Orchestral Works

Celia Nicklin (oboe), Iona Brown (violin)

Academy of St Martin in the Fields, The New Queen's Hall Orchestra, London Philharmonic Orchestra, Neville Marriner, Barry Wordsworth, Adrian Boult

Vaughan Williams - Orchestral Works
The sound of the LSO strings in 1910 must remain largely a matter of conjecture but this beautifully textured account on gut-string instruments cuts to the heart of the score and Wordsworth's...

Special offer. Vaughan Williams - Orchestral Works

Celia Nicklin (oboe), Iona Brown (violin)

Academy of St Martin in the Fields, The New Queen's Hall Orchestra, London Philharmonic Orchestra, Neville Marriner, Barry Wordsworth, Adrian Boult

Purchase product

2 CDs

Original price $14.75 Reduced price $11.80

10+ available: usually despatched in 4 - 5 working days

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From Original price $15.00 Reduced price $10.00

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Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($15.00) Reduced price $10.00

320 kbps, MP3

$10.00

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
The sound of the LSO strings in 1910 must remain largely a matter of conjecture but this beautifully textured account on gut-string instruments cuts to the heart of the score and Wordsworth's...

About

Contents and tracklist

1. March: Seventeen come Sunday
Track length3:20
2. Intermezzo: My Bonny Boy
Track length3:18
3. March: Folk Songs from Somerset
Track length3:52
1. Rondo Pastorale
Track length7:32
2. Minuet & Musette
Track length2:45
3. Finale
Track length8:00
1. Intrada
Track length2:17
2. Burlesca Ostinata
Track length2:37
3. Sarabande
Track length3:12
4. Scherzo
Track length2:07
5. March and Reprise
Track length4:06
I. Prelude. Andante tranquilo
Track length6:26
II. Scherzo ostinato. Presto
Track length4:23
III. Intermezzo (Homage to Henry Hall)
Track length4:21
IV. Fantasia. Allegro
Track length6:11

Awards and reviews

September 2008

The sound of the LSO strings in 1910 must remain largely a matter of conjecture but this beautifully textured account on gut-string instruments cuts to the heart of the score and Wordsworth's impeccable Boultian pedigree is evident throughout.
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