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British Music Collection - Gerald Finzi
Andrew Marriner (clarinet), Piers Lane (piano)
Academy of St Martin in the Fields, English Chamber Orchestra, Neville Marriner, Nicholas Daniel
Awards:
-
Building a Library, December 2006, First Choice
Andrew Marriner is a flexible interpreter who brings out both the light and the shade in this work. The Eclogue, here played by a sensitive Piers Lane, is the wistfully pastoral middle movement...
British Music Collection - Gerald Finzi
Andrew Marriner (clarinet), Piers Lane (piano)
Academy of St Martin in the Fields, English Chamber Orchestra, Neville Marriner, Nicholas Daniel
Purchase product
Awards:
-
Building a Library, December 2006, First Choice
Andrew Marriner is a flexible interpreter who brings out both the light and the shade in this work. The Eclogue, here played by a sensitive Piers Lane, is the wistfully pastoral middle movement...
About
Contents and tracklist
- Andrew Marriner (clarinet)
- Academy of St Martin in the Fields
- Sir Neville Marriner
- Recorded: 1996-03-08
- Recording Venue: Watford Colosseum
1. Allegro vigoroso - L'istesso tempo ma in modo lirico
Track length8:18
This track is only available as an album download.
2. Adagio ma senza rigore
Track length11:21
This track is only available as an album download.
3. Rondo (Allegro giocoso)
Track length8:11
This track is only available as an album download.
Finzi:
Nocturne, Op. 7 (New Year Music)
Work length10:02
This work is only available as an album download.
- Academy of St Martin in the Fields
- Sir Neville Marriner
- Recorded: 1996-03-08
- Recording Venue: Watford Colosseum
- Piers Lane (piano)
- English Chamber Orchestra
- Nicholas Daniel
- Recorded: 2002-03-06
- Recording Venue: Abbey Road, Studio 1, London
Spotlight on this release
-
Gerald Finzi and Herbert Howells
17th Oct 2014
David picks out some top recordings of two great twentieth-century English composers, Gerald Finzi and Herbert Howells.
Awards and reviews
October 2014
Andrew Marriner is a flexible interpreter who brings out both the light and the shade in this work. The Eclogue, here played by a sensitive Piers Lane, is the wistfully pastoral middle movement of a piano concerto that was never written.
