Lyapunov: Symphony No. 1

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Sergei Lyapunov has always been a shadowy figure, his derivative yet distinctive voice drowned by his more celebrated compatriots and even by his contemporaries Taneyev, Liadov and Arensky. Yet... — Gramophone Classical Music Guide, 2010 More…

Release Date: 1st Apr 2002
Catalogue No: CHAN9808
Label: Chandos
Length: 64 minutes

Gramophone Magazine

August 2002

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Sergey Mikhaylovich Lyapunov: Symphony No. 1 in B Minor, Op. 12

Work length39:57

$6.95

$8.45

BBC Philharmonic, Vassily Sinaisky

I. Andantino

Track length12:54

$2.15

$2.60

II. Andante sostenuto

Track length10:28

$1.60

$1.95

III. Scherzo. Allegretto vivace

Track length8:03

$1.60

$1.95

IV. Finale. Allegro molto

Track length8:32

$1.60

$1.95

Sergey Mikhaylovich Lyapunov: Piano Concerto No. 2 in E Major, Op. 38

Work length17:25

Album only

BBC Philharmonic, Howard Shelley, Vassily Sinaisky

Sergey Mikhaylovich Lyapunov: Polonaise, Op. 16

Work length7:07

$1.60

$1.95

BBC Philharmonic, Vassily Sinaisky

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Reviews

2010

Sergei Lyapunov has always been a shadowy figure, his derivative yet distinctive voice drowned by his more celebrated compatriots and even by his contemporaries Taneyev, Liadov and Arensky. Yet hearing the First Symphony in a performance of this calibre you're reminded of the way Lyapunov's melodic appeal is complemented by brilliant craftsmanship.
The opening motif is sufficiently brief to invite elaboration and to play a key role in music as coherent as it's heartfelt. The chromatic undertow as the music eases into the poco più tranquillo, its mix of sweetness and unrest looks ahead to Rachmaninov's Second Symphony, and if the themes are less memorable than in that towering Romantic masterpiece they're marshalled and directed with great compositional skill. Vassily Sinaisky and the BBC Philharmonic Orchestra allow the long sinuous lines of the Andante sostenuto to unfold with an unfaltering tact and commitment, and in the balletic Scherzo, with its memories of Tchaikovsky, he realises all of the music's captivating grace and charm.
If Borodin is a key influence in the symphony then Liszt is central to the thinking behind the Second Piano Concerto. Lyapunov, after all, paid an eloquent tribute to Liszt in his 12 TranscendentalEtudes for solo piano, a magnificent if uneven creation, and not surprisingly the lavish and intricate pianism in the Second Concerto is a Romantically inclined pianist's dream. Certainly its succulent themes and star-dust decoration could hardly be spun off more beguilingly than by Howard Shelley. His relaxed mastery and enviably elegant style inform every bar of this most seductive work.
The recordings are magnificent; no lover of Russian Romantic by-ways can afford to be without this.

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