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There’s a wonderfully spontaneous, almost rough-and-ready quality to these performances: resin flies and rhythms swing in the stomping gigas, whilst the mesmerising siciliana of the first concerto... — More…
Awards:
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Presto Editor's Choice, March 2020
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Taylor brings youthful vitality and flair to these performances, responding to Bach’s ever-changing idiom with quicksilver playing...Admirable, too, are the colours and quasi-orchestral timbres... — More…
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BBC Music Magazine, November 2023, Instrumental Choice
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Pre-order,
Offer, Young & Foolish: Mozart & C.p.e. Bach Céline Frisch (early keyboard instruments), Alexander Melnikov (piano)
Café Zimmermann, Pablo Valetti
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Vivaldi: Le Quattro Stagioni & La Follia
Paul-Antoine Bénos-Djian (countertenor), Le Concert de La Loge, Julien Chauvin
the resultant performance [of 'Sovvente il sole'] is to die for – luminously radiant, with Chauvin’s bright sweetness on the Gagliano a delectable foil for Bénos-Djian’s bright purity and lucid... — More…
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Bartok: Concerto for Orchestra & Viola Concerto
Amihai Grosz (viola), Orchestre National de Lille, Alexandre Bloch
Awards:
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Gramophone Magazine, Critics' Choice 2023
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Antonini’s virtuosity is, we might say, literally breathtaking as he dispatches the fast outer movements with agility and stylistic aplomb. For my own sensibilities, though, this comes at a... — More…
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Diapason d’Or, May 2020, Nouveauté
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Mozart: Piano Concertos Nos. 18 & 21
Jonathan Fournel (piano), Mozarteum Orchestra Salzburg, Howard Griffiths
this pairing of two of Mozart’s most winning piano concertos has real pedigree. The orchestral strings are warm, yet fastidiously vibrato free, against which Fournel’s keyboard is precise and... — More…
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Eötvös: DoReMi, Cello Concerto Grosso & Speaking Drums
Jean-Guihen Queyras (cello), Midori (violin), Martin Grubinger (voice and percussion)
Orchestre Philharmonique de Radio France, Peter Eötvös
Jean-Guihen Queyras brings verve and eloquence to the dramatic soliloquy of the [Cello Concerto], and plays athlete and clown in a finale of irresistible with and imagination. DoReMi, a tribute... — More…
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Janáček: Rikadla (Nonsense Nursery Rhymes)
Collegium Vocale Gent & Het Collectief, Reinbert De Leeuw
Reinbert de Leeuw and Collegium Vocale Gent are masters of tonal shading: whether attending to top or internal lines they achieve a near-on three-dimensional effect…superb playing and singing... — More…
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