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Vivaldi: Le Quattro Stagioni & La Follia
Paul-Antoine Bénos-Djian (countertenor), Le Concert de La Loge, Julien Chauvin
the resultant performance [of 'Sovvente il sole'] is to die for – luminously radiant, with Chauvin’s bright sweetness on the Gagliano a delectable foil for Bénos-Djian’s bright purity and lucid...
Vivaldi: Le Quattro Stagioni & La Follia
Paul-Antoine Bénos-Djian (countertenor), Le Concert de La Loge, Julien Chauvin
Purchase product
the resultant performance [of 'Sovvente il sole'] is to die for – luminously radiant, with Chauvin’s bright sweetness on the Gagliano a delectable foil for Bénos-Djian’s bright purity and lucid...
About
More than 300 years after Antonio Vivaldi composed The Four Seasons , the most famous work in the history of music is still as lively and invigorating as ever. Now Le Concert de la Loge has recorded this Baroque treasure with its founder and director, the violinist Julien Chauvin, as soloist. For the occasion, the Château de Versailles has loaned him an exceptional instrument: a Neapolitan violin by Nicola Gagliano, adorned with fleur-de-lys and inlaid decorations. This instrument, which was played by Yehudi Menuhin in the 1970s, comes from the ‘collection de Madame Adélaïde’, named after one of Louis XV’s daughters. It has not left the Château for almost a century and is in a perfect state of preservation. The main work is complemented by Vivaldi’s no less celebrated ‘La Follia’ and an aria that is now famous in its own right, ‘Sovvente il sole’ from Andromeda liberata , the score of which was discovered in Venice in 2002. It is performed here by the countertenor Paul-Antoine Bénos-Djian.
Contents and tracklist
- Julien Chauvin (soloist)
- Le Concert de La Loge
- Le Concert de La Loge
- Julien Chauvin
- Paul-Antoine Bénos-Djian (soloist)
- Le Concert de La Loge
- Julien Chauvin
- Le Concert de La Loge
- Julien Chauvin
- Le Concert de La Loge
- Julien Chauvin
- Le Concert de La Loge
- Julien Chauvin
Awards and reviews
June 2024
the resultant performance [of 'Sovvente il sole'] is to die for – luminously radiant, with Chauvin’s bright sweetness on the Gagliano a delectable foil for Bénos-Djian’s bright purity and lucid accompanying textures, and the sheer sexiness of its insouciantly sensuous, gliding flow.