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Romaniuk puts his multi-keyboard classical and improvising skills to the test, alternating between concert grand, harpsichord, fortepiano and the once ubiquitous Fender Rhodes electric piano...A... — Gramophone Magazine, November 2020 More…

It may not all add up to an essential Debussy collection but it’s a thoughtful and rewarding one nevertheless. — The Guardian, 14th April 2022 More…

Choral blend and enunciation are immaculate, at their very best in Martin's Songs of Ariel…it's particularly good to see 'Let mine eyes run down with tears' among the more familiar numbers -... — Gramophone Magazine, August 2015 More…

Not everything Tyson does will suite every taste, yet his stunning keyboard mastery and strong personality undoubtedly command attention in this superbly engineered, fulsomely annotated release — Gramophone Magazine, June 2017 More…

Vinnitskaya’s playing is an absolute delight for its natural, songful, expressive phrasing and a cool unpretentious temperament rather akin with the composer’s own recorded approach. Always... — BBC Music Magazine, December 2017, 4 out of 5 stars More…

This album was obviously a labour of love, which comes across in both the performances and the presentation...It should appeal to anyone curious to discover more about the roots of the Armenian... — Gramophone Magazine, July 2023 More…

another stimulating and imaginatively curated programme of short pieces and improvisations, going back and forth between various acoustic and electronic keyboards. — Gramophone Magazine, April 2023 More…