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The Tempest

Inspired by Shakespeare

La Tempête, Simon-Pierre Bestion

The Tempest
Choral blend and enunciation are immaculate, at their very best in Martin's Songs of Ariel…it's particularly good to see 'Let mine eyes run down with tears' among the more familiar numbers -...

The Tempest

Inspired by Shakespeare

La Tempête, Simon-Pierre Bestion

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This release includes a digital booklet

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Choral blend and enunciation are immaculate, at their very best in Martin's Songs of Ariel…it's particularly good to see 'Let mine eyes run down with tears' among the more familiar numbers -...

About

A profoundly modern dimension emerges from this confrontation between English works from the 17th century (Henry Purcell, Matthew Locke) and works from the 20th and 21st centuries (Philippe Hersant, Franck Martin, Thierry Pécou). Coming from highly different musical universes, each composition is, however, largely inspired by the founding themes of Shakespeare’s play, sometimes taking up excerpts from it. The text is recited in English, or rather Shakespeare’s ‘Old English’, as are all the sung parts, in order to reproduce the strong, sweet accent of that tongue.

Contents and tracklist

Introduction
Track length1:10
Galliard
Track length1:27
Gavot
Track length1:21
Come unto This Yellow Sands
Track length1:57
Full Fathom Five
Track length3:52

Spotlight on this release

Awards and reviews

August 2015

Choral blend and enunciation are immaculate, at their very best in Martin's Songs of Ariel…it's particularly good to see 'Let mine eyes run down with tears' among the more familiar numbers - a neglected gem of rare intensity, performed here with tremendous poise
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