Harmonia Mundi
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[No. 1] opens in a state of lonely desolation, and the feeling of suspense is superbly captured by the Jerusalems, who also find the earthy folksiness to remind us that Bartók’s language is... — More…
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The 14 works recorded here make for a rich and heady mix and we should be grateful to Digby and her superb ORA Singers for what proves to be a fascinating musical journey. Digby coaxes a simply... — More…
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[Padmore’s] fairly reedy tone and his restraint in matters of volume go well with the instrument, and Kristian Bezuidenhout is a sympathetic accompanist…Padmore’s interpretation, too, I would... — More…
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Bruno Philippe & Tanguy de Williencourt
Bruno Philippe (cello Tononi) & Tanguy de Williencourt (Steinway piano)
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JC Bach: Missa da Requiem & Miserere Lenneke Ruiten (soprano), Ruth Sandhoff (alto), Colin Balzer (tenor) & Thomas Bauer (bass)
Akademie für Alte Musik Berlin & RIAS Kammerchor, Hans-Christoph Rademann
The performances under Hans-Christoph Rademann's direction are excellent, with notably strong contributions from the RIAS Kammerchor and the Berlin Akademie fur Alte Musik. Colin Balzer and... — More…
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Reuss coaxes sable timbres from his 16-voice ensemble, wrapping the listener in a dark shroud – apt for these musical reflections on the transience of things. The singers’ vocal production is... — More…
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If you listened blind you'd say this was a souped-up Erard, but it's actually a Steinway from 1882. Braley's musicianship is superb, and he extracts unexpected revelations from these well-known... — More…
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