Glossa
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Luigi Rossi: l'Orfeo
Francesca Lombardi Mazzulli, Emanuela Galli, Paola Valentina Molinari, Alessandro Giangrande, Alessio Tosi, Clarissa Reali, Arianna Stornello, Rocco Lia, Sara Bino, Gabriella Martellacci, Raffaele Giordani, Marta Fumagalli, Martina Zaccarin, Michele Lo Bianco, Maila Fulignati, Caterina Dellaere,...
Sartori’s compound of zest and chiaroscuro is broadly effective and the full-blooded dramatic directness of her approach means that Rossi’s melting pot of techniques and styles comes across... —
Awards:
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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typical of La Venexiana at their best. —
Awards:
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Building a Library, July 2011, Recommended
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They incorporate instrumental elaborations and add ornaments to the individual lines. In a piece such as Parfons regretz. this allows the singer of a particular part to sing as though responding... —
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…Le Concert Spirituel expertly draws us into his heartfelt harmonies in a fabulous recording. —
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the experienced Compagnia del Madrigale is a nigh-on flawless ensemble whose bright-toned vocalism is never less than confident. —
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Gagliano: La Flora
Allabastrina, Elena Sartori, Marco Saccardin, Marta Fumagalli, Allabastrina Choir, Valeria La Grotta (soprano), Arianna Stornello, Maximiliano Danta Texeira, Mauro Borgioni, Margherita Rotondi, Clarissa Reali, Alessio Tosi, Rocco Lia, Zoreslava Vynnyk, Nikos Angelis
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Beethoven: Symphonies Nos. 1-9
Rebecca Nash (soprano), Wilke te Brummelstroete (mezzo-soprano), Marcel Beekman (tenor) & Michael Tews (bass)
Laurens Collegium & Laurens Cantorij, Orchestra of the 18th Century, Frans Brüggen
Brüggen's message, interpreted from uncorrupted texts, gets through, every repeat except one (in the third movement of the Seventh) observed. But he reserves judgement about Beethoven's metronome... —
Awards:
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Gramophone Awards, 2013, Finalist - Orchestral
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Antoine Brumel: Earthquake Mass
Manuel Mota, Berlinde Deman, Lluís Coll i Trulls, Pierre-Antoine Tremblay, Christopher Price, Björn Schmelzer, Graindelavoix
The result is an immersive experience of near-Stockhausenesque scope, largely successful on its own terms, with superlative playing and deft transitions between the Mass and the new materials. —
