Delphian
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From a city window: Songs by Hubert Parry
Ailish Tynan (soprano), Susan Bickley (mezzo), William Dazeley (baritone) & Iain Burnside (piano)
Superb singing combines with Iain Burnside's eloquent handling of Parry's piano textures. — More…
Awards:
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Gramophone Magazine, April 2013, Editor's Choice
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[‘Why do they shut me out of heaven?’] is a good example of Fontanals-Simmons’s tendency to prioritise solidity of vocal production and excellent diction over flashy point-making and expressive... — More…
Awards:
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Presto Editor's Choice, August 2019
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The performances are for the most part superb. The amplitude of Burns’s voice, with its bright warmth of tone and wonderful gleam at the top, confers a certain grandeur of scale on the proceedings,... — More…
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This witty, poignant and candid recital of songs centring on female experiences has to be one of the most arresting recording-debuts I've heard all year: Crawford's big, bright voice packs a... — More…
Awards:
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Presto Editor's Choice, October 2023
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They certainly burst with charm and character...ensemble and singer are well matched. Eight composers are featured in a wide range of styles, from drawing room culture to folk, bolero and bordello,... — More…
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Obeying their instructions to the letter means that cellist and pianist convey the meaning of every crescendo or change of tempo, however minimal, proving that tiny details can have huge effects.... — More…
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Scotland at Night
Choral settings of Scottish poetry from Robert Burns to Alexander McCall Smith
Laudibus, Mike Brewer
Laudibus and Mike Brewer are particularly good at creating vocal effects, meaning this programme is tailor-made for them. Their rich lower body of voices and silvery sopranos combine beautifully... — More…
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Geoffrey Webber's 'dream Christmas programme' enjoys superb sound, and singing burgeoning with colour and confidence. — More…
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The Edge of Time
Palaeolithic Bone Flutes From France & Germany
Anna Friederike Potengowski (bone flutes) & Georg Wieland Wagner (percussion)
treated with real imagination...The bending pitches and haunting, wavering timbres are used in original fantasies by Anna Friederike Potengowski and Georg Wieland Wagner, and even extend to... — More…
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Our Indifferent Century: Britten | Finzi | Marsey | Ward
Francesca Chiejina (soprano), Fleur Barron (mezzo-soprano), Natalie Burch (piano)
We begin with Britten’s On this Island. Chiejina’s and Burch’s compelling performance is richly mature and painstakingly coloured. Despite occasional vocal vulnerability, Chiejina’s luxuriant... — More…
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