Aeon

Both pieces reaffirm Dusapin’s quartet cycle as among the most significant now emerging. — Gramophone Magazine, August 2017 More…

The title 'Caprices' belies the serious rapport which Arditti nurtured over decades with Carter, Nunes, Boulez and Sciarrino…The works, too, are hardly whimsical but represent a quarter-century... — BBC Music Magazine, Christmas 2017, 5 out of 5 stars More…

Wolfgang Rihm has always acknowledged the importance of Luigi Nono’s music in the development of his own style. That influence comes across strikingly in this serenely beautiful sequence of... — The Guardian, 20th November 2014, 4 out of 5 stars More…

In this short but expansively expressive opera, transformation is never one way: dramatically, dream is constantly morphing into nightmare and back...the eight-strong cast of singers seems utterly... — Gramophone Magazine, November 2012 More…

...a gestural work that, in Elizabeth Layton's crystalline performance, is also unashamedly lyrical...Volkov and the BBC Symphony Orchestra play with immense grace and finesse. — BBC Music Magazine, November 2010, 5 out of 5 stars More…

These three works superbly realised under the nuanced direction of Pierre-Andre Valade, provide…a fine introduction for those unfamiliar with Murail's music…the closest [Le partage des eaux]... — BBC Music Magazine, September 2015 More…

the album's title-work by Rebecca Saunders is an interior monologue which, thanks to Ballon's advocacy, seems to bypass the executant and travel deep within the mind and body of the instrument:... — Gramophone Magazine, February 2016 More…