Capriccio

[Blumina] She plays them, along with her superb colleagues of the Vogler Quartet, with lustrous tone and deep conviction. If the music of 20th-century Russia is in your wheelhouse, this release... — Fanfare, September/October 2021 More…

Poschner leads an astutely paced and well-played reading of the symphony but one that’s somewhat lacking in power and depth. — Gramophone Magazine, Auguts 2023 More…

In all three concertos the solo playing is magnificent. Modestas Pitrenas and the orchestra accompany with enthusiasm, but ensemble is sometimes uncertain and the sound in some louder tuttis... — BBC Music Magazine, April 2022, 4 out of 5 stars (Performance) / 3 out of 5 stars (Recording) More…

Thanks to his penchant for writing short and succinct movements. Winterberg’s tough, gritty and uncompromising music never outstays its welcome. It certainly receives persuasive advocacy from... — BBC Music Magazine, September 2022, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

From the orchestral overture of the first concerto, the Wiener KammerOrchester capture the attention with their dynamism and spirit. The piano itself responds with engaged playing, brilliant... — Diapason, April 2017, 5 out of 5 stars More…

The most successful performance on this album is the Piano Concerto, which probably dates from 1906-09, though opinions vary. Here Triendl is entirely at home with the work’s mix of the grandeur... — Gramophone Magazine, March 2021 More…

Bertrand de Billy is in his element, whether it’s on the dance f loor, ushering in the Dies Irae or leading a battery of orgasmic bells. Raymond Very is a handsome Don Juan, at his best in the... — BBC Music Magazine, June 2021, 4 out of 5 stars More…