Challenge Classics
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Minaaar’s identification with this unique realm of music is complete and his deeply felt interpretations shine with clarity and infinite nuance — More…
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Ferschtman's programme is clearly planned so that each piece illuminates its companions...the Berio is suitably uncompromsing at the start and wonderfully dextrous in the quick passagework. — More…
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Throughout, the playing is poised, gracious and rhetorically phrased. The historic harpsichord (preserved in the Musée d’Art et d’Histoire in Neuchâtel) is by Sweelinck ’s Flemish contemporary... — More…
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the “bonus track” of Liszt’s Via Crucis, Station IV, in Reinbert de Leeuw’s arrangement, has a haunting lyrical spareness — More…
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Brahms & Schumann: Strings Attached
Arno Piters (clarinet)
Members of the Royal Concertgebouw Orchestra
The inclusion of a double bass sounds unidiomatic - but some lovely playing. — More…
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Bach, J S: Trio Sonatas Nos. 1-6, BWV525-530
Reine-Marie Verhagen (alto recorder / voice flute) & Tini Mathot (chamber organ / harpsichord)
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