Seattle Symphony Media
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Here, by an exceptional command of long-term tempo relationships Dausgaard manages to unify the symphony into single whole. Without loss of intensity, it emerges as not only a psychological document... — More…
Awards:
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Presto Recordings of the Year, Finalist 2016
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Gramophone Awards, 2017, Finalist - Orchestral
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Gramophone Magazine, Awards Issue 2016, Disc of the Month
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Dutilleux: Métaboles, L'arbre des songes & Symphony No. 2 'Le double'
RecommendedAugustin Hadelich (violin)
Seattle Symphony Orchestra, Ludovic Morlot
The highlight of this Seattle disc is undoubtedly the violin playing of Augustin Hadelich in L'arbre des songes…the warm recording, with some three seconds of echo, suits this work well, as it... — More…
Awards:
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Gramophone Magazine, October 2015, Editor's Choice
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Gramophone Awards, 2016, Finalist - Orchestral
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Grammy Awards, 58th Awards (2015), Best Classical Instrumental Solo Recording
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Marc-André Dalbavie: La source d'un regard & Concertos
Mary Lynch (oboe), Demarre McGill (flute), Jay Campbell (cello)
Ludovic Morlot
Awards:
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International Classical Music Awards, 2019, Nominee - Contemporary Music
CD
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Nielsen: Symphonies Nos. 3 & 4
RecommendedEstelí Gomez (soprano), John Taylor Ward (baritone)
Thomas Dausgaard
this is a wonderful addition to the catalog. Exceptional music, exceptionally well recorded, and exceptionally played by a fine
American orchestra led by a conductor who clearly has this repertoire... — More…Awards:
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Grammy Awards, 61st Awards (2019), Nominee - Orchestral Performance
CD
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R. Strauss: Also sprach Zarathustra, Op. 30, Trv 176 - Scriabin: The Poem of Ecstasy, Op. 54 (Live)
RecommendedSeattle Symphony Orchestra, Thomas Dausgaard
Both [works] need this wide soundscape and the art that conceals art for the details in a clear, broad picture. We still get the timbres of woodwind and harps adding their splashes of colour;... — More…
Awards:
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BBC Music Magazine, February 2021, Orchestral Choice
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Grammy Awards, 64th Awards (2022), Nominee - Best Orchestral Performance
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Speed requires confidence, and you can feel the Seattle Symphony’s building with this further exploration of what remains an alien aesthetic to so many orchestras. More to the point, Nielsen’s... — More…
Awards:
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Gramophone Magazine, November 2020, Recording of the Month
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Gramophone Awards, 2021, Shortlisted - Orchestral
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Dutilleux: Symphony No. 1
Benjamin Richardson (boy soprano), Kepler Swanson (boy soprano), Andrew Torgelson (boy soprano), Xavier Phillips (cello)
Seattle Symphony Orchestra, Ludovic Morlot
The technical standard of the playing is extremely high. The orchestral negotiates the perils of Dutilleux's scherzo with apparent sangfroid, and at the speed indicated. — More…
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Ives: Symphony No. 2, Carter: Instances & Gershwin: An American in Paris
Seattle Symphony Orchestra, Ludovic Morlot
the American disc is a must for the recording of the premiere of Carter's Instances, his last orchestral work...A marvellous piece, superbly played. — More…
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Berlioz: Requiem, Op. 5, H. 75 & La mort d'Orphée, H. 25 (Live)
Kenneth Tarver (tenor)
Seattle Symphony Chorale, Seattle Pro Musica, Ludovic Morlot
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Raskatov: Piano Concerto 'Night Butterflies' & Stravinsky: The Rite of Spring
live recordings
Tomoko Mukaiyama (piano)
Seattle Symphony Orchestra, Ludovic Morlot
Brilliantly orchestrated, this is as much a concerto for members of the Seattle Symphony orchestra as much as for the soloist...There is much that is excellent about Morlot and the Seattle Symphony's... — More…
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