Pentatone
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Scriabin: Symphony No. 1 & The Poem of Ecstasy Russian National Orchestra & Chamber Choir of the Moscow Conservatory, Mikhail Pletnev
there is a good deal which is captivating in Mikhail Pletnev's excellent performance: in the thistledown Scherzo, the Russian National Orchestra demonstates polished and tight ensemble playing... — More…
Awards:
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Gramophone Magazine, August 2015, Editor's Choice
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CANTATA - yet can I hear... Handel, Vivaldi, and Bach
Bejun Mehta (countertenor)
Akademie fur Alte Musik Berlin
Mehta’s voice remains light and graceful, and his general ability to move around the small notes is only occasionally compromised by untidiness. The period-instrument orchestra’s flautist, Christoph... — More…
Awards:
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Presto Editor's Choice, March 2018
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Diapason d’Or, May 2018, Nouveauté
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Mozart: Sinfonia concertante, Rondo for violin & Concertone in C
RecommendedJulia Fischer & Gordon Nikolic (violins)
Netherlands Chamber Orchestra, Yakov Kreizberg
Listen to the start of the great Sinfonia Concertante, here replete with an energy which doesn't preclude sensitivity of phrasing or detail of instrumental colour. …Fischer and Nikolic emerge... — More…
Awards:
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Penguin Guide, Rosette
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While I’m instinctively sceptical about instrumental transcriptions of vocal works, I was persuaded by how well they work here, and the subtlety and intelligence of the performances…And in this... — More…
Awards:
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Diapason d’Or, June 2018, Nouveauté
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Opus Klassik Awards, 2019, Winner - Chamber Music (quartet)
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Bizet: Les Pêcheurs de Perles Julie Fuchs (Leïla), Cyrille Dubois (Nadir), Florian Sempey (Zurga), Luc Bertin-Hugault (Nourabad); Les Cris de Paris & Orchestre National de Lille, Alexandre Bloch
Dubois is distinctly French in the timbre of his voice and his singing style, and if Fuchs tends to spread under pressure she is lyrical when required and her coloratura is formidable…the vocal... — More…
Awards:
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Gramophone Magazine, August 2018, Recording of the Month
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Diapason d’Or, June 2018, Nouveauté
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Kožená’s dramatic and vocal powers are wonderfully displayed in Gasparini’s kaleidoscope aria ‘Ombre, cure, sospetti’ (with its unrestrained runs and the bursts of emotion in its recitative-like... — More…
Awards:
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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Purcell: Dido & Aeneas Fleur Barron (Dido), Matthew Brook (Aeneas), Giulia Semenzato (Belinda), Avery Amereau (Sorceress), Tim Mead (Spirit), Nicky Spence (Sailor), Hilary Cronin (Second Woman), Helen Charlston, Martha McLorinan (Witches), La Nuova Musica, David Bates
The suspense, vibrancy and richly layered musical textures of chorus and band have no equal in the discography. The Witches’ scene is an exuberant Gothic festival, with creepily dilating long... — More…
Awards:
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International Classical Music Awards, 2024, Nominated - Opera
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Mozart: Mass in C Minor Ana Maria Labin (soprano), Ambroisine Bré (mezzo-soprano), Stanislas de Barbeyrac (tenor), Norman Patzke (baritone), Les Musiciens du Louvre, Marc Minkowski
Minkowski deploys a period orchestra of 38 players, including three sonorous trombones, and a small chorus of just nine voices but supplemented by a well-balanced solo group of five, among whom... — More…
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Corti brings out a wealth of felicitous detail in the a wealth of felicitous detail in the solo keyboard writing, generously solo keyboard writing, generously adding tasteful ornaments if too... — More…
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