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Saint-Saëns: Piano Concertos Nos. 2 & 5
Louis Schwizgebel (piano)
BBC Symphony Orchestra, Fabien Gabel & Martyn Brabbins
Schwizgebel and Brabbins provide a wonderfully characterised and atmospheric reading which can well hold its own with the recordings by Stephen Hough and Jeanne-Marie Darré. And that's saying... — More…
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Dutilleux & D’Haene: Violin Concertos
Yossif Ivanov (violin)
Lyon National Opera Orchestra, London Philharmonic Orchestra, Kazushi Ono, Paul Sacher
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Karol Beffa: Into the dark
Karol Beffa (piano) & Karine Deshayes (mezzo soprano), Arnaud Thorette (viola), Emmanuel Ceysson (harp)
Ensemble Contraste, Johan Farjot
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Liszt: Athanor
Totentanz, Piano Concertos Nos. 1 & 2
Beatrice Berrut (piano)
Czech National Symphony Orchestra, Julien Masmondet
Although she is amply equipped with the requisite virtuosity, Berrut distinguishes herself as a musician with bold ideas of considerable originality and possessing the courage of her convictions.... — More…
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CPE Bach Project Volume 2
Ophélie Gaillard (cello), Francesco Corti (harpsichord)
Pulcinella Orchestra
Ophélie Gaillard is an eloquent and elegant soloist possessing pleasing tone in the Cello Concerto No 2 in B flat major, lively and reflective in nature as required. — More…
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Telemann, Platti, Vivaldi & Geminiani: Concerti All'arrabbiata
Freiburger Barockorchester, Gottfried von der Goltz
This is an inspired performance, full of humor and nonchalance. The players make it all sound effortless, but in reality they navigate thorny technical passages and other challenges with sprezzatura.... — More…
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The arrival of a fine melodie singer is always a cause of celebration. Tassis Christoyannis has a baritone voice that moves smoothly from the most elegant, caressing pianissimo, at times reminiscent... — More…
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Karine Deshayes: Après un rêve
Karine Deshayes (mezzo-soprano), Arnaud Thorette (violin), Antoine Pierlot (cello), Johan Farjot (piano)
Ensemble Contraste
It's nicely done, for the most part. Deshayes has a light-ish meozzo with an appealing shimmer in her upper registers and warm chest tones, used sparingly but to telling effect...The playing... — More…
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Mozart: Flute & Harp Concerto
Philippe Bernold, Emmanuel Ceysson and Orchestre de chambre de Paris, Orchestre de chambre de Paris, Emmanuel Ceysson, Orchestre de chambre de Paris and Emmanuel Ceysson, Philippe Bernold and Orchestre de chambre de Paris
Bernold is an impressive Mozartian; his sound is as full bodied as a Pinot Noir, with a deep and resonate tone in the lower octaves and an enviable capability for the long phrasing that marks... — More…
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marvellously played, with Leleu showing that he has the bravura of a flautist but can be remarkably stylish too — More…
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