Oehms

The cast seems a just mixture of novelty and experience, with Bengtsson’s note-spinning both pure and dramatically apt, and Rea managing the non-part of Tristan…with aplomb. Glueckert’s tenor... — Gramophone Magazine, September 2018 More…

It is rare to encounter this degree of instrumental mastery wed to musical depth and sensitivity in one so young. Brauss’s exhilarating Beethoven is so thoroughly integrated that each movement... — Gramophone Magazine, August 2017 More…

All the pieces, including the Aequale for trombones arranged by the player, are extremely effective and enjoyable and the performance of the symphony, against all the odds, is remarkably convincing... — MusicWeb International, May 2023 More…

Long, expressive lines are made possible by his quite exceptional breath control...his clarity of enunciation is impeccable as Wagner’s King Marke, especially in terms of using the sounds of... — Opera, May 2023 More…

there is no doubting the general excellence of these studio accounts recorded 2009-15...his heart-warmingly affectionate approach [to The Nutcracker] uncovers enchanting details that more f... — BBC Music Magazine, November 2021, 4 out of 5 stars More…

Das Liebesverbot is particularly entertaining, with some spectacular aural effects. When it comes to Siegfried- Idyll, it is clear that we are hearing a performance from the perspective of a... — Choir & Organ, February 2020, 5 out of 5 stars More…

a recital that made you feel a great deal better when you came out than when you went in — Daily Telegraph More…

— BBC Music Magazine, January 2023, 3 out of 5 stars More…