Browse: Choral, Magnificat & Nunc dimittis settings, Tye (composer)
This page lists all classical by Christopher Tye (c.1505–1572), in genre: Choral » Magnificat & Nunc dimittis settings.
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Peace I Leave With You - Music for the Evening Hour Sebastian Hill (tenor), Milo Hodgkiss (tenor), Peter Brooks (bass-baritone), Alexander Pott, Benjamin Watkins (bass-baritone), Francis Brown (bass-baritone), Henry Isaacs, Maurice Cole (tenor)
Choir of Magdalen College Oxford, Mark Williams
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The Music of Westminster Cathedral Choir Andrew Reid (organ), James O'Donnell (organ), Iain Simcock (organ)
Westminster Cathedral Choir, David Hill
Bargain of the month — More…
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Early Music – 50 of the best
Dorothy Linell (lute), Steven Rickards (counter-tenor), Christopher Wilson (lute), Alessandro Casari (counter-tenor), Gian Luigi Maria Ghiringhelli (counter-tenor), Patrizia Vaccari (soprano), Rosita Frisani (soprano), Gastone Sarti (bass), Michel van Goethem (counter-tenor), Giovanni Pentasuglia...
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There are many subtleties in this set of performances. The intimate interplay between the crystalline solo of treble Tom Hopkins and his fellow choristers in Stanford’s Magnificat is one of them... — More…
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A Tudor Christmas
Libby Burgess (organ), Victoria Davies (harp), Tom King, Brian Chapman, William Gaunt, Nicholas Haigh, John Cotton, Adrian Lowe
The Choir of Christ Church, Oxford, Stephen Darlington
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Christopher Tye - Latin & English Church Music
Richard Pinel (organ)
Byrde Recorder Consort, The Choir of Magdalen College, Oxford, Bill Ives
The English settings, dating from Edward VI's reign, are mainly in a concise, straightforward style designed to make the words fully intelligible. Magdalen College Choir, on top form throughout,... — More…
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The transitions between the ages are seemlessly effected, particularly impressive during back-to-back old and new performances of "Magnificat À Quatre". Recorded in New York's Cathedral of St... — More…
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[the choir] are on crack form here, near flawless in ensemble and intonation. The trebles perform with real fervour, their sheer, plangent sound complemented by the dusky lower voices. O'Donnell... — More…
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