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Peace I Leave With You - Music for the Evening Hour

Sebastian Hill (tenor), Milo Hodgkiss (tenor), Peter Brooks (bass-baritone), Alexander Pott, Benjamin Watkins (bass-baritone), Francis Brown (bass-baritone), Henry Isaacs, Maurice Cole (tenor), Choir of Magdalen College Oxford, Mark Williams

Peace I Leave With You - Music for the Evening Hour
Among the contemporary offerings, the always responsive, well-integrated choral forces bring a serene, reverential simplicity to John Tavener’s setting of The Lord’s Prayer and in Roxanna Panufnik's...

Peace I Leave With You - Music for the Evening Hour

Sebastian Hill (tenor), Milo Hodgkiss (tenor), Peter Brooks (bass-baritone), Alexander Pott, Benjamin Watkins (bass-baritone), Francis Brown (bass-baritone), Henry Isaacs, Maurice Cole (tenor), Choir of Magdalen College Oxford, Mark Williams

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This release includes a digital booklet

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Among the contemporary offerings, the always responsive, well-integrated choral forces bring a serene, reverential simplicity to John Tavener’s setting of The Lord’s Prayer and in Roxanna Panufnik's...

About

In their first recording for CORO The Choir of Magdalen College, Oxford, with director Mark Williams, explore the repertoire that has provided the bedrock of the college’s musical life for the last 500 years, all of which was written for the end of the day. Much music associated with evening time is naturally calm and soothing, and would satisfy those seeking transcendental beauty in the form of unchallenging ‘sound baths’, but this collection also seeks to challenge, contrasting contemporary settings with music from the 16th century. We hope, through this range of works, to capture something of that liminal space between day and night that is characterised by Evensong, and to lead the listener into that ‘peace that passes all understanding’. The album showcases works by composers from John Sheppard to Joanna Marsh, and features much-loved pieces such as Hubert Parry’s Lord, let me know mine end and John Tavener’s The Lord’s Prayer as well as new additions to the Evensong repertory such as Grayston Ives’ In pace and Piers Connor Kennedy’s O nata lux.

Contents and tracklist

Awards and reviews

July 2024

Among the contemporary offerings, the always responsive, well-integrated choral forces bring a serene, reverential simplicity to John Tavener’s setting of The Lord’s Prayer and in Roxanna Panufnik's ‘O Hearken cultivate’ a fluttery restraint. Captured on home ground in the college chapel, the recorded sound is intimate and beautifully balanced.

July 2024

The recorded sound is warm but not too close. The choral blend and solo contributions are both first-rate and the booklet’s presentation is a model of clarity and information. Highly enjoyable.
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