Choral, Masses, Durante, F (composer)
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The Polish countertenor gives a lithe and affecting performance on this debut album, a collection of largely unrecorded sacred baroque arias. Il Pomo d’Oro flutter and fizz. —
Awards:
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Presto Editor's Choice, October 2018
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The Times Records of the Year, 2018
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Opus Klassik Awards, 2019, Winner - Solo Vocal Recital (Opera)
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As soon as Danco starts to sing, her identity is unmistakable, a bright, vibrant voice, impassioned in its delivery, with perfect diction and an intuitive grasp of text. ‘The Decca Recitals’... —
Awards:
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Gramophone Magazine, Awards Issue 2020, Reissue/Archive Issue of the Month
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Voice From Assisi
Friar Alessandro (tenor), Sophie Harris (cello), Chris Laurence (double bass), Paddy Lannigan (double bass), Dave Daniels (cello), Bozidar Vukotic (cello), Ian Burdge (cello), Reiad Chibah (viola), Rachel Robson (viola), Vicci Wardman (viola), Andy Parker (viola), Richard Pryce (double bass), Clare...
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Andreas Perez-Ursulet
Andréas Perez-Ursulet (countertenor, baritone), Frédéric Rivoal (organ), Andréas Perez Ursulet (countertenor), Baptiste Vay (viola), Hélene Brannens (violin), David Walter (oboe), Orchestre National d'Auvergne, Roberto Forés Veses
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Songs From Assisi
Friar Alessandro (tenor), Joby Burgess (timpani), Chris Laurence (double bass), Bruce White (viola), Peter Lale (viola), Reiad Chibah (viola), Vicci Wardman (viola), Claire Finnimore (viola), Clare Orsler (viola), Ian Burdge (cello), Caroline Dale (cello), Dave Daniels (cello), Joely Koos (cello),...
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Pergolesi: Stabat Mater
Felicity Palmer, Elizabeth Vaughan, Janet Baker, Alfreda Hodgson, Philip Langridge, Ian Partridge, Paul Esswood, Christopher Keyte
St John's College Choir, Schütz Choir of London, King's College Choir, George Guest, Roger Norrington, David Willcocks
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Special offer. Durante: Requiem
Alexandra Kidgell (soprano), Katy Hill (soprano), William Purefoy (countertenor), Mark Dobell (tenor), Ben Davies (bass), Clive Driskill-Smith (organ)
Oxford Baroque, Christ Church Cathedral Choir, Oxford, Stephen Darlington
Durante’s 1746 post-Baroque Requiem is no great masterpiece, but it does have moments of elegance and charm which are beautifully rendered. The likeable Organ Concerto benefits from sparkling... —
