Choral, Masses, Tye (composer)
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these musicians cannot put a foot wrong, either technically or musically. The voices remain fresh and interesting throughout. —
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This musical kaleidoscope turns through dark hued reflections and light-filled reveries...Technically, the Rose Consort is well-nigh flawless, and these restrained, refined readings, informed... —
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English Renaissance Music
A recital which contrasts the inspirational work of Thomas Tallis, Christopher Tye and John Sheppard
David James (countertenor), Rogers Covey-Crump (tenor), Steven Harrold (tenor), Gordon Jones (baritone) & Robert Macdonald (bass)
The Hilliard Ensemble
The ensemble is flawless and the sound reproduction crystalline. —
Awards:
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Gramophone Magazine, October 2008, Editor's Choice
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Special offer. Agnus Dei
Margaret Phillips (organ), Julie Cooper (soprano), Kim Porter (vocalist), Jeremy Budd (tenor), Ben Davies (bass-baritone), Ruth Dean (soprano), The Sixteen, Academy of St Martin in the Fields, The Sixteen Orchestra, Harry Christophers, Eamonn Dougan
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The Music of Westminster Cathedral Choir
Andrew Reid (organ), James O'Donnell (organ), Iain Simcock (organ)
Westminster Cathedral Choir, David Hill
Bargain of the month —
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[the choir] are on crack form here, near flawless in ensemble and intonation. The trebles perform with real fervour, their sheer, plangent sound complemented by the dusky lower voices. O'Donnell... —
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Essential Renaissance
Timothy Beasley-Murray (soprano), Barry Rose (organ), The Hilliard Ensemble (vocal ensemble), Paul Hillier (director), Alan Wilson (organ), Taverner Consort (vocal ensemble), David Munrow (director), David James (vocals), Gordon Jones (bass-baritone), John Potter (tenor), John Potter Clay (vocals),...
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