Orchestral, Couperin, F (composer)
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Special offer. Versailles - Alexandre Tharaud
RecommendedAlexandre Tharaud (piano), Sabine Devieilhe (soprano), Justin Taylor (piano)
He doesn’t let the fact that some of this music is inherently unpianistic get in his way…It’s a beautifully programmed disc – so much so that it begs to be heard complete. And the sense that... —
Awards:
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Presto Recordings of the Year, Finalist 2019
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Presto Editor's Choice, November 2019
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Gramophone Magazine, February 2020, Editor's Choice
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The Frans Brüggen Project
Lucie Horsch (recorder), Rachel Podger (violin), Albert Bruggen (cello), Tom Foster (harpsichord), Esther Van Der Eijk (viola), Orchestra of the 18th Century
For the most part, this is a rewarding enterprise, sympathetically recorded and with an essential chart indicating where on the album each instrument can be heard. —
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a musical personality of a beguiling charm, a quality rarely encountered in today's more severe musical climate...You are reminded, too, of a naturalness and insouciance far removed from so... —
Awards:
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Gramophone Magazine, January 2015, Re-issue of the Month
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A colourful panorama stylishly and affectionately executed by all concerned. —
Awards:
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Opus Klassik Awards, 2019, Winner - Concerto (recorder)
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There’s much rewarding playing; Bartlett is a highly expressive musician. If his Romantic Rameau remains rather earthbound, his Couperin flickers with a cosy firelight warmth...La valse is all... —
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Special offer. Les Hautbois A La Chambre Du Roi
Syntagma Amici, Jérémie Papasergio, Elsa Frank, Brice Sailly (harpsichord), Romain Bockler
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Great Pianists - Women at the Piano Volume 1
An Anthology of Historic Performances (1926-1952)
Monique de la Bruchollerie, Guiomar Novaes, Iris Loveridge, Marie Novello, Gaby Casadesus, Myra Hess, Reah Sadowsky, Ray Lev, Maryla Jonas, Aline Isabelle van Barentzen, Marguerite Long, Ruth Slenczynska, Hilde Somer, Emma Boynet, Jeanne-Marie Darré, Una Mabel Bourne, Moura Lympany, Sari Biro, Jeanne...
…you will find evidence in these 22 examples of an irrepressible joy in performance, of a charm and spontaneity rarely encountered in today's more correct but more circumspect pianists, be they... —
