SACD, Bartók (composer)
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Special offer. Martinů: Violin Concertos Nos. 1 & 2 - Bartók: Sonata for Solo Violin
Frank Peter Zimmermann (violin)
Bamberger Symphoniker, Jakub Hruša
Zimmermann has fully absorbed the slightly eclectic style of [the First Concerto] and produces a performance of conviction, not to mention dazzling virtuosity. Hrůša accompanies with understanding... — More…
Awards:
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Record Review, 5th December 2020, Record of the Week
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Gramophone Magazine, January 2021, Recording of the Month
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BBC Music Magazine, February 2021, Concerto Choice
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Gramophone Awards, 2021, Shortlisted - Concerto
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BBC Music Magazine Awards, 2022, Shortlisted - Concerto
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Special offer. Bartók: Concerto for Orchestra, Music for Strings, Percussion & Celesta
RecommendedHelsinki Philharmonic Orchestra, Susanna Mälkki
Mälkki and her Helsinki Philharmonic offer performances that are at once satisfying, dazzling and individual. There’s a poise, indeed an elegance, to the basic good posture of these interpretations,... — More…
Awards:
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BBC Music Magazine, Christmas 2021, Orchestral Choice
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Gramophone Magazine, December 2021, Editor's Choice
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Building A Library, January 2022, Also Recommended
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Panache is Kantorow’s strength throughout the program, but it is combined with probing emotional maturity, which is rare. I doubt that any prediction will come true for him other than the prediction... — More…
Awards:
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Presto Recording of the Week, 16th October 2020
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Gramophone Magazine, November 2020, Editor's Choice
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Special offer. György Ligeti: String Quartets Nos. 1 & 2; Béla Bartók: String Quartet No. 4
Marmen Quartet
They seem to have assimilated the music into their cells, performing it with an energetic vitality and colour that is all special effects...The group offers high-pixel definition of character,... — More…
Awards:
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Gramophone Magazine, February 2025, Editor's Choice
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BBC Music Magazine, February 2025, Chamber Choice
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Special offer. Igor Stravinsky, Bartók & Martinů
RecommendedFrank Peter Zimmermann (violin), Bamberger Symphoniker, Jakub Hrůša
With Jakub Hrůša and his super-attentive Bamberg orchestra, Frank Peter Zimmermann trumps the self-confident projection of his younger self...Stravinsky’s framing movements seem defter now,... — More…
Awards:
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Presto Recordings of the Year, Finalists 2024
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International Classical Music Awards, 2025, Nominated - Concertos
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Special offer. Bartók: Bluebeard's Castle
RecommendedMika Kares (Bluebeard), Szilvia Vörös (Judith), Helsinki Philharmonic Orchestra, Susanna Mälkki
Both Kares and Vörös offer a subtle, understated approach…As well as conveying the piece’s taut structure and the orchestral writing’s sheer sweep, conductor Susanna Mälkki seeks out the detail... — More…
Awards:
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Gramophone Magazine, June 2021, Editor's Choice
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International Classical Music Awards, 2022, Nominated - Opera
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Grammy Awards, 64th Awards (2022), Nominee - Best Opera Recording
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Special offer. Bartók: The Wooden Prince & The Miraculous Mandarin Suite
Helsinki Philharmonic Orchestra, Susanna Mälkki
[The Wooden Prince’s] essential warmth, rooted in folk-like melodies (but never folksiness) , comes across well here in Susanna Mälkki’s recording, since with a feeling for the score’s rubato... — More…
Awards:
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Record Review, 29th June 2019, Record of the Week
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International Classical Music Awards, 2019, Nominee - Symphonic Music
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Israeli violinist Nurit Stark brings together works by four composers of the same pedagogical lineage. Her violin tone is pure, but never pale, admirably capturing the otherworldly eeriness... — More…
Awards:
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Gramophone Awards, 2023 Winners, Winner - Instrumental
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The overall excellence of Tamara Stefanovich’s interpretations is enhanced by a superb multichannel recording characterised by full-bodied ambience an concert-hall realism. Stefanovich voices... — More…
Awards:
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Gramophone Magazine, April 2019, Editor's Choice
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Rózsa: Violin Concerto - Bartók: Violin Concerto No. 2
Roman Simovic (violin), London Symphony Orchestra, Sir Simon Rattle, Kevin John Edusei
Roman Simovic, the London Symphony Orchestra’s leader, plays both concertos with great panache where needed, also finding just the right degree of warmth and rhythmic flexibility in the variation... — More…