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Browse: SACD, Liszt (composer)
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[Yamada] draws playing of felicitous polish, captivating flexibility and winning application throughout what is a most imaginative, distinctly moreish programme; indeed, on first acquaintance,... — More…
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It's not just intelligent programme planning...that makes Piemontesi stand out; this is seriously classy pianism. Clarity of thought is complemented by clarity of touch, incisive intellect by... — More…
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A Simple Song
Anne Sofie von Otter (mezzo-soprano), Sharon Bezaly (flute), Fabian Fredriksson (electric guitar), Margareta Nilsson (harp), Bengt Forsberg (organ), Nils-Erik Sparf (violin), Marie McLeod (cello), Ellen Nisbeth (viola)
Von Otter’s generous personality is reflected in the way she puts over every item, with care for text and a honeyed sweetness of tone…Admirers of the singer will certainly want it; and, if you’re... — More…
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His special blend of attributes is on display here, not least his technical ease, exquisite control and rich resource of colour. In the Tchaikovsky [Concerto], Trifonov's playing ignites when... — More…
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The major discovery here is Hans Sitt's Op. 39 Albumblatter, six Schumannesque miniatures that Zimmermann nurtures and caresses with a bewitching range of tonal colours, further enhanced by Thomas... — More…
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Furtwangler conducts Romantic Poems and Viennese Dances
Wiener Philharmoniker, Berliner Philharmoniker, Wilhelm Furtwangler
His aim for lightness, transparency and directness yields poetic results…the rounded edges and polished passagework characterising Zhang’s Janácek are pianistically impressive, yet he glides... — More…
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Haefliger’s rich and varied tonal colouring provides tremendous music rewards in the Berg…The coruscating flourishes in the Liszt are vividly despatched…A good deal of the Beethoven is really... — More…
