Browse: SACD, Liszt (composer)
The SACD sound is first-class and the booklet notes by both artists attractive, not least in drawing attention to the great artists of the past whose performances and arrangements are saluted... — More…
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Pre-order, Offer, A Simple Song
Anne Sofie von Otter (mezzo-soprano), Sharon Bezaly (flute), Fabian Fredriksson (electric guitar), Margareta Nilsson (harp), Bengt Forsberg (organ), Nils-Erik Sparf (violin), Marie McLeod (cello), Ellen Nisbeth (viola)
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[Yamada] draws playing of felicitous polish, captivating flexibility and winning application throughout what is a most imaginative, distinctly moreish programme; indeed, on first acquaintance,... — More…
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Yevgeny Sudbin plays Liszt, Ravel & Saint-Saëns
Yevgeny Sudbin (piano)
His Liszt is remarkable. The F minor Transcendental Study's brand of miraculous virtuosity, at once tumultuous and limpid, is marvellously captured. — More…
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It's not just intelligent programme planning...that makes Piemontesi stand out; this is seriously classy pianism. Clarity of thought is complemented by clarity of touch, incisive intellect by... — More…
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Im schönen Strome – Heine Lieder
Christian Immler (baritone), Georges Starobinski (piano)
The attractive light baritone of Christian Immler is nicely offset by the clean textures and musical sensitivity of pianist Georges Starobinski, both finely balanced and captured in lucid sonics;... — More…
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Liszt, Reubke & Mendelssohn: Organ Works
Stephen Cleobury (organ)
Cleobury is on peak form. Clearly he has had the music in his fingers and feet for many years: one is left with the sense that all problems were solved long ago…and of course, the King's College... — More…
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Liszt: The 2 Piano Concertos
Nareh Arghamanyan (piano)
Berlin Radio Symphony Orchestra, Alain Altinoglu
These interpretations...display some obvious strengths: the technique of this young Armenian-born pianist is beautifully fluent, giving her playing a freedom that is not at all slick or perfunctory,... — More…
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Perspectives 7
Andreas Haefliger
Haefliger’s rich and varied tonal colouring provides tremendous music rewards in the Berg…The coruscating flourishes in the Liszt are vividly despatched…A good deal of the Beethoven is really... — More…
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Liszt: Transcendental Studies, S139 Nos. 1-12
Kirill Gerstein (piano)
amazing keyboard dexterity … ultra-clear articulation — More…
